Obligatorisk pensum
Br?vig-Hanssen, R. and A. Danielsen. 2016. Digital Signatures. Cambridge: MIT Press.
Bijker, W. 1995: Of Bicycles, Bakelites, and Bulbs: Toward a Theory of Sociotechnical Change, Inside technology. Cambridge: MIT Press.
Frith, S. 1986: "Art versus Technology: The Strange Case of Popular Music", i Media, Culture & Society, 8(3):263–279.
Katz, M. 2005. Capturing Sound: How Technology Has Changed Music. Berkeley, Calif.: University of California Press.
Piekut, B. 2014. "Actor-Networks in Music History: Clarifications and Critiques." Twentieth-Century Music 11(2): 191–215.
Pinch, T. and K. Bijsterveld. 2004. "Sound Studies: New Technologies and Music." Social Studies of Science 34(5).
Pinch, T. and F. Trocco. 2002. Analog Days: The Invention and Impact of the Moog Synthesizer. Cambridge: Harvard University Press.
Sterne, J. 2003. The Audible Past: Cultural Origins of Sound Reproduction. Durham: Duke University Press.
Taylor, T.D. 2001: Strange Sounds: Music, Technology & Culture. New York: Routledge.
Théberge, P. 1997. Any Sound You Can Imagine: Making Music/Consuming Technology. Hanover: Wesleyan University Press.
Thompson. E. 2002. The Soundscape of Modernity. Cambridge: MIT Press.
Valgfri tilleggslitteratur
Born, G. 1995. Rationalizing Culture. Berkeley: University of California Press.
Cunningham, M.: Good Vibrations: A History of Pecord Production, 1998 (Rev. ed.). London: Sanctuary.
Doyle, P. : Echo and Reverb: Fabricating Space in Popular Music Recording, 1900-1960, 2005 (1st ed.). Middletown, Conn.: Wesleyan University Press.
Goodwin, A.: "Sample and Hold: Pop Music in the Digital Age of Reproduction" i S. Hawkins, (red.) : Pop Music and Easy Listening, 2011. Aldershot: Ashgate.
Lacasse, S.: Listen to My Voice: The Evocative Power of Vocal Staging in Recorded Rock Music and Other Forms of Vocal Expression, 2000. Liverpool: Liverpool University Press.
Massey, H.: Behind the Glass: Top Record Producers Tell How They Craft the Hits, 2000. San Francisco, Calif.: Miller Freeman Books.
Sterne, Jonathan. 2012. MP3: The Meaning of a Format. Durham: Duke University Press.Warner, T.: Pop Music, Technology and Creativity: Trevor Horn and the Digital Revolution, 2003. Aldershot: Ashgate.
Zak, A.: The Poetics of Rock: Cutting Tracks, Making Records, 2001. Berkeley: University of California Press.