Obligatorisk pensum
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Camilleri, L.: "Shaping Sounds, Shaping Spaces" i Popular Music, 29(2), 2010. 199-211.
Frith, S.: "Art versus Technology: The Strange Case of Popular Music" i Media, Culture & Society, 8(3), 1986. 263-279.
Kvifte, T.: "Digital sampling and analog aesthetics" i A. Melberg (red.): Aesthetics at Work, 2007. Oslo: Unipub.
Loy, Gareth: "Musicians Make a Standard: The MIDI Phenomenon" i Computer Music Journal 9(4), 1985. 8–26.
Moore, R.F.: "The Dysfunctions of MIDI" i Computer Music Journal 12(1), 1988. 19–28.
Toynbee, J.: Making Popular Music: Musicians, Creativity and Insitutions, 2000. London: Arnold.
Valgfri tilleggslitteratur
Cunningham, M.: Good Vibrations: A History of Pecord Production, 1998 (Rev. ed.). London: Sanctuary.
Doyle, P. : Echo and Reverb: Fabricating Space in Popular Music Recording, 1900-1960, 2005 (1st ed.). Middletown, Conn.: Wesleyan University Press.
Goodwin, A.: "Sample and Hold: Pop Music in the Digital Age of Reproduction" i S. Hawkins, (red.) : Pop Music and Easy Listening, 2011. Aldershot: Ashgate.
Hawkins, S.: "On performativity and production in Madonna's 'Music'" i S. Whiteley, A. Bennett & S. Hawkins (red.): Music, Space and Place: Popular Music and Cultural Identity, 2004. Aldershot: Ashgate.
Katz, M.: Capturing Sound: How Technology Has Changed Music, 2005. Berkeley, Calif.: University of California Press.
Lacasse, S.: Listen to My Voice: The Evocative Power of Vocal Staging in Recorded Rock Music and Other Forms of Vocal Expression, 2000. Liverpool: Liverpool University Press.
Massey, H.: Behind the Glass: Top Record Producers Tell How They Craft the Hits, 2000. San Francisco, Calif.: Miller Freeman Books.
Moore, A. F.: "The Persona-Environment Relation in Recorded Song" i Music Theory Online, 11(4), 2005.
Taylor, Timothy D.: Strange Sounds: Music, Technology & Culture, 2001. Routledge. ISBN:?0-415-93684-5.
Théberghe, P.: Any Sound You Can Imagine: Making Music/Consuming Technology, 1997. Hanover: Wesleyan University Press.
Toft, R.: "Hits and Misses: Crafting a Pop Single for the Top-40 Market in the 1960s" i Popular Music, 29(2), 2010. 267-281.
Walser, R.: Running With the Devil: Power, Gender and Madness in Heavy Metal Music, 1993. Hanover: University Press of New England.
Warner, T.: Pop Music, Technology and Creativity: Trevor Horn and the Digital Revolution, 2003. Aldershot: Ashgate.
Wicke, P.: "The Art of Phonography: Sound, Technology and Music" i D. B. Scott (red.): The Ashgate Research Companion to Popular Musicology, 2009. Aldershot: Ashgate.
Zak, A.: The Poetics of Rock: Cutting Tracks, Making Records, 2001. Berkeley: University of California Press.