Bj?rnberg, Alf: "'Structural Relationships of Music and Images in Music Video' " i Middleton, Richard: Reading Pop, 2000. Oxford University Press. pp. 347-78.
Danielsen, Anne: "'"His name was Prince' - a study of DIAMONDS AND PEARLS"" i Popular Music 16/3, 1997. pp. 275-291.
Danielsen, A. : Presence and Pleasure. The Funk Grooves of James Brown and Parliament , 2006. Middletown, Connecticut: Wesleyan University Press. (kapittel 3, 4 og 5).
Danielsen, Anne: "The Musicalization of Reality. Reality rap and rap reality on Public Enemy's Fear of a Black Planet" i European Journal of Cultural Studies, 2008. pp. 405-21.
Dibben, Nicola: "'Subjectivity and the Construction of Emotion in the Music of Bj?rk'" i Music Analysis, 2006. 25/i-ii, pp. 171-197.
Frith, Simon: Performing Rites. On the Value of Popular Music, 1996. Oxford: Oxford University Press.
Greene, P. D. og T. Porcello (red.): Wired for Sound. Engineering and Technologies in Sonic Cultures, 2005. Middletown, Connecticut: Wesleyan University Press. (kapittel 1 og 5).
Hawkins, Stan: The British Pop Dandy: Masculinity, Culture and Music, 2009. Aldershot: Ashgate. (chapter 3).
James, Robin: "'Robo-Diva R&B: Aesthetics, Politics, and Black Female Robots in Contemporary Popular Music" i Journal of Popular Music Studies, 2008. Vol.20/4, pp. 402-423.
Moore, Allan F.: "Authenticity as Authentication" i Popular Music 21, 2002. pp. 209-223.
Negus, Keith: Music Genres and Corporate Cultures, 1999. Routledge. (kapittel 1).
I tillegg kommer et selvvalgt pensum p? ca 650 sider. Dette kan for eksempel velges blant de delene av b?kene ovenfor som ikke er en del av det obligatorske pensumet eller blant f?lgende titler:
Frith, Simon: "Art versus Technology. The strange case of popular music" i Media, Culture & Society , 1986. vol. 8, pp. 263-279.
Frith, Simon: "The Real Thing. Bruce Springsteen" i Frith, Simon: Music For Pleasure, 1988. London: Polity Press.
Hawkins, Stan: Settling the Pop Score. Pop texts and identity politics, 2002. Aldershot: Ashgate Publishing.
McClary, Susan: Feminine Endings. Music, Gender and Sexuality, 1991. University of Minnesota Press.
McClary, Susan: Reading Music: Selected Essays, 2007. Aldershot: Ashgate.
Middleton, Richard: Studying Popular Music, 1990. Open University Press.
Moore, Allan: Rock: The Primary Text - Developing a Musicology of Rock, 2001. Aldershot: Ashgate.
Moore, Allan (ed.): Analyzing Popular Music, 2003. Cambridge: Cambridge University Press.
Moore, Allan (ed.): Critical Essays in Popular Musicology, 2007. Aldershot: Ashgate.
Whiteley, Bennett og Stan Hawkins (red.): Music, Space and Place: Popular Music and Cultural Identity, 2004. Aldershot – Burlington: Ashgate.