Danielsen, A. : Presence and Pleasure. The Funk Grooves of James Brown and Parliament , 2006. Middletown, Connecticut: Wesleyan University Press.
Danielsen A. og A. Maas?. : "Mediating Music. Materiality and Silence in Madonna’s 'Don’ Tell Me'" i Popular Music, Under utgivelse (tidsskrift).
Frith, Simon: Performing Rites. On the Value of Popular Music, 1996. Oxford: Oxford University Press.
Gilroy, Paul: "After The Love Has Gone: bio-politics and etho-poetics in the black public sphere" i Public Culture, Vol. 7, nr. 1 1997.
Greene, P. D. og T. Porcello (red.): Wired for Sound. Engineering and Technologies in Sonic Cultures, 2005. Middletown, Connecticut: Wesleyan University Press. S?rlig kapittel 1, 5 og 8.
Hawkins, Stan: "Musicological Quagmires in Popular Music: Seeds of Detailed Conflict" i Popular Musicology Online, Issue 1.
Hawkins, Stan: Settling the Pop Score. Pop texts and identity politics, 2002. Aldershot: Ashgate Publishing.
Hawkins, Stan: The British Pop Dandy: Masculinity, Culture and Music, 2009. Aldershot: Ashgate.
Jarman-Ivens, Freya: "Masculinities in Heterosexist Rap Music" i Sheila Whiteley & Jennifer Rycenga (red.): Queering the popular pitch, 2006. Oxon, New York: Routledge.
Mervyn Cooke og David Horn (red.): The Cambridge Companion to Jazz, Cambridge: Cambridge University Press.
McClary, Susan: Reading Music: Slected Essays, 2007. Aldershot: Ashgate.
Moore, Allan: Analyzing Popular Music, 2003. Cambridge: Cambridge University Press.
Moore, Allan: Critical Essays in Popular Musicology, 2007. Aldershot: Ashgate.
Sk?rberg, Odd: "P? hvilken m?te tilh?rer Belonging-kvartetten norsk jazzhistorie?" i Studia Musicologica Norvegica nr. 33 2007, Oslo: Universitetsforlaget.
Whiteley, Bennett og Stan Hawkins (red.): Music, Space and Place: Popular Music and Cultural Identity, 2004. Aldershot – Burlington: Ashgate.