Pensum/l?ringskrav

Felles pensum

Barker, Chris: Cultural Studies: Theory and Practice. 4th Edition, 2012. London: Sage. Les kapittel 1, 2, 3 og 6, 7, 8, side 1-110 og 181-288.

Bourdieu, Pierre: Outline of a Theory of Practice, 1977. Cambridge: Cambridge University Press. Kapittel 2 og 4, side 72-95 og 159-197. Blir gjort elektronisk tilgjengelig.

Born, Georgina: ?For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn.? Journal of the Royal Musical Association, 2007, Vol. 135, no. 2, 205-243. 

Eriksen, Thomas Hylland: Sm? steder — store sp?rsm?l. Innf?ring i sosialantropologi. 3. utgave, 2010. Oslo: Universitetsforlaget. Kapitel 1-5, side 13-78.

Eriksen, Thomas Hylland: ?Identitet? i Eriksen (red.): Flerkulturell forst?else, 2001. Oslo: Universitetsforlaget. Side 36-56. Blir gjort elektronisk tilgjengelig.

Eriksen, Thomas Hylland. ?Complexity in social and cultural integration: Some analytical dimensions.?  Ethnic and Racial Studies Vol. 30/6, November 2007, side 1055-1069. Elektronisk tilgjengelig ved UiO.

Feld, Steven: Sound and Sentiment. Birds, Weeping, Poetcis and Song in Kaluli Expression, 2012. Philadelphia: University of Pennsylvania Press, side 1-85. 

Feld, Steven: ?A Sweet Lullaby for World Music? i Public Culture, 12(1), 2000. Side 145-171. Elektronisk tilgjengelig ved UiO.

Gabbard, Krin: ?Introduction. The Jazz Canon and its Consequences? i Jazz among the Discourses, 1995. Durham: Duke University Press, side 1-30. Blir gjort elektronisk tilgjengelig.

Keil, Charles og Steven Feld: Music Grooves, 1994. Chicago: University of Chicago Press. Kapitel 1-4, side 53-150.

Keil, Charles: ?Afterword. Postscripts? i Urban Blues, 1991 [1966]. Chicago: Chicago University Press. Side 225-248. Blir gjort elektronisk tilgjengelig.

Marcus, Greil: ?Robert Johnson? i Mystery Train, 1975/2005. London: Faber and Faber. Side 20-37. Blir gjort elektronisk tilgjengelig.

Myers, Helen: ?Ethnomusicology? i Ethnomusicology. An Introduction, 1992. New York: W.W.Norton & Co. Side 3-18. Blir gjort elektronisk tilgjengelig.

Ortner, Sherry: ?Introduction. Updating Practice Theory? i Anthropology and Social Theory: Culture, Power, and the Acting Subject, 2007. Durham: Duke University Press. Side 1-18. Blir gjort elektronisk tilgjengelig.

Ortner, Sherry: ?Theory in Anthropology since the Sixties? i Comparative Studies in Society and History, 26, no. 1 (1984), side 126-166. Elektronisk tilgjengelig ved UiO.

Prieur, Annick, Rosenlund, Lennart  og Skjott-Larsen, Jakob. ?Cultural capital today: A case study from Denmark.? Poetics 36/1, February 2008, 45-71. Elektronisk tilgjengelig ved UiO.

Sakakeeny, Matt: ?New Orleans Music as a Circulatory System? i Black Music Research Journal, vol. 31/2 (2011), s. 291-325. Elektronisk tilgjengelig ved UiO.

Samuels, David, et al. ?Soundscapes: Toward a Sounded Anthropology.? Annual review of Anthropology 39 (2010) s. 329-345. Elektronisk tilgjengelig ved UiO.

Shepherd, John og Kyle Devine. ?Music and the Sociological Imagination—Pasts and Prospects.? I The Routledge Reader on the Sociology of Music, red. John Shepherd og Kyle Devine, 2015. New York: Routledge.

Sluka, Jeffrey A. og Antonius C. G. M. Robben: ?Fieldwork in Cultural Anthropology. An Introduction? i Sluka and Robben (red.): Ethnographic Fieldwork: An Anthropological Reader, 2012. Malden, Mass: John Wiley & Sons. Side 1-48. Blir gjort elektronisk tilgjengelig.

Wadel, Cato: Feltarbeid i egen kultur: En innf?ring i kvalitativt orientert samfunnsforskning, 1991. Flekkefjord: SEEK. Kap. 3, ?Feltarbeid som runddans mellom teori, metode og data?, side 127-181. Elektronisk tilgjengelig ved UiO.

Weisethaunet, Hans og Lindberg, Ulf: ?Authenticity Revisited: The Rock Critic and the Changing Real? i Popular Music and Society, 33:4. Side 465-485. Elektronisk tilgjengelig ved UiO.

Monografi

I tillegg til pensumet ovenfor skal hver student lese en valgfri monografi innen musikkantropologi/etnomusikologi. Velg en av de f?lgende, eller en annen etter avtale med fagl?rer.

Averill, Gage: A Day for the Hunter, a Day for the Prey: Popular Music and Power in Haiti, 1997. Chicago: Chicago University Press.

Berliner, Paul: Thinking in Jazz: The Infinite Art of Improvisation, 1994. Chicago: Chicago University Press.

Berliner, Paul: The Soul of Mbira: Music and Traditions of the Shona People of Zimbabwe, 1981. Chicago: Chicago University Press.

Born, Georgina. Rationalizing Culture: IRCAM, Boulez and the Institutionalization of the Musical Avant-Garde, 1995. Berkeley: University of California Press. 

Brown, Leonard: John Coltrane and Black America's Quest for Freedom: Spirituality and the Music, 2010. Oxford: Oxford University Press.

Doughtry, Martin. Listening to War: Sound, Music, Trauma and Survival in Wartime Iraq, 2015. Oxford: Oxford University Press.

Eyre, Banning: In Griot Time: Guitar Cultures of Mali, 2000. Philadelphia: Temple University Press.

Feld, Steven: Sound and Sentiment. Birds, Weeping, Poetcis and Song in Kaluli Expression, 2012. Philadelphia: University of Pennsylvania Press.

Feld, Steven: Jazz Cosmopolitanism in Accra, 2012. Durham: Duke University Press.

Gennari, John: Blowin’ Hot and Cool. Jazz and its Critics, 2006. Chicago: University of Chicago Press.

Gilroy, Paul: The Black Atlantic: Modernity and Double Consciousness, 1993. London: Verso.

Guilbault, Jocelyne: Governing Sound: The Cultural Politics of Trinidad's Carnival Musics, 2007. Chicago: Chicago University Press.

Manuel, Peter: Cassette Culture: Popular Music and Technology in North India, 1993. Chicago: Chicago University Press.

Meintjes, Louis: Sound of Africa: Making Music Zulu in a South African Studio, 2003. Durham: Duke University Press.

Miller, Karl Hagstrom: Segregating Sound: Inventing Folk and Pop Music in the Age of Jim Crow, 2010. Durham: Duke University Press.

Morris, Jeremy. Selling Digital Music, Formatting Culture, 2015. Berkeley: University of California Press.

Neuman, Daniel: The Life of Music in North India: The Organization of an Artistic Tradition, 1990. Chicago: Chicago University Press.

Ochoa Gautier, Anna Maria. Aurality: Listening and Knowledge in Nineteenth-Century Columbia, 2014. Durham: Duke University Press.

Radano, Ronald M: Lying up a Nation: Race and Black Nation, 2003. Chicago: Chicago University Press.

Rice, Timothy: May it Fill Your Soul: Experiencing Bulgarian Music, 1994. Chicago: University of Chicago Press.

Seeger, Anthony: Why Suyá Sing: A Musical Anthropology of an Amazonian People, 2004. University of Illinois Press.

Sterne, Jonathan. The Audible Past: Cultural Origins of Sound Reproduction. Durham: Duke University Press.

Stewart, Gary: Rumba on the River: A History of the Popular Music of the Two Congos, 2003. London: Verso.

Stokes, Martin: The Republic of Love: Cultural Intimacy in Turkish Popular Music, 2010. Chicago: Chicago University Press.

Thompson, Emily. The Soundscape of Modernity, 2002. Cambridge: MIT Press.

Turino, Thomas: Moving Away from Silence: Music of the Peruvian Altiplano and the Experience of Urban Migration, 1993. Chicago: Chicago University Press.

Waterman, Christopher: Juju: A Social History and Ethnography of an African Popular Music, 1990. Chicago: Chicago University Press.

 

 

Publisert 30. juni 2015 15:36 - Sist endret 4. aug. 2015 19:37