Felles pensum
Baraka, Amiri: "Jazz and the White Critic: Thirty Years Later" i Digging. The Afro-American Soul of American Classical Music, 2009. Berkeley: University of California Press. Side 145-154. Blir gjort tilgjengelig i kompendium.
Barker, Chris: Cultural Studies: Theory and Practice. 4th Edition, 2012. London: Sage. Les kapittel 1, 2, 3 og 6, 7, 8, side 1-110 og 181-288.
Bourdieu, Pierre: Outline of a Theory of Practice, 1977. Cambridge: Cambridge University Press. Kapittel 2 og 4, side 72-95 og 159-197. Blir gjort tilgjengelig i kompendium.
Eriksen, Thomas Hylland: Sm? steder — store sp?rsm?l. Innf?ring i sosialantropologi. 3. utgave, 2010. Oslo: Universitetsforlaget. Kapitel 1-5, side 13-78.
Eriksen, Thomas Hylland: "Identitet" i Eriksen (red.): Flerkulturell forst?else, 2001. Oslo: Universitetsforlaget. Side 36-56. Blir gjort tilgjengelig i kompendium.
Eriksen, Thomas Hylland. ”Complexity in social and cultural integration: Some analytical dimensions.” Ethnic and Racial Studies Vol. 30/6, November 2007, side 1055-1069. Elektronisk tilgjengelig ved UiO.
Feld, Steven: Sound and Sentiment. Birds, Weeping, Poetcis and Song in Kaluli Expression, 2012. Philadelphia: University of Pennsylvania Press. Side 1-85. (NY UTGAVE I ?R).
Feld, Steven: "A Sweet Lullaby for World Music" i Public Culture, 12(1), 2000. Side 145-171. Elektronisk tilgjengelig ved UiO.
Gabbard, Krin: "Introduction. The Jazz Canon and its Consequences" i Jazz among the Discourses, 1995. Durham: Duke University Press. Side 1-30. Blir gjort tilgjengelig i kompendium.
Keil, Charles og Steven Feld: Music Grooves, 1994. Chicago: University of Chicago Press. Kapitel 1-4, side 53-150.
Keil, Charles: "Afterword. Postscripts" i Urban Blues, 1991 [1966]. Chicago: Chicago University Press. Side 225-248. Blir gjort tilgjengelig i kompendium.
Marcus, Greil: "Robert Johnson" i Mystery Train, 1975/2005. London: Faber and Faber. Side 20-37. Blir gjort tilgjengelig i kompendium.
Myers, Helen: "Ethnomusicology" i Ethnomusicology. An Introduction, 1992. New York: W.W.Norton & Co. Side 3-18. Blir gjort tilgjengelig i kompendium.
Ortner, Sherry: "Introduction. Updating Practice Theory" i Anthropology and Social Theory: Culture, Power, and the Acting Subject, 2007. Durham: Duke University Press. Side 1-18. Blir gjort tilgjengelig i kompendium.
Ortner, Sherry: "Theory in Anthropology since the Sixties" i Comparative Studies in Society and History, 26, no. 1 (1984), side 126-166. Elektronisk tilgjengelig ved UiO.
Prieur, Annick, Rosenlund, Lennart og Skjott-Larsen, Jakob. ”Cultural capital today: A case study from Denmark.” Poetics 36/1, February 2008, 45-71. Elektronisk tilgjengelig ved UiO.
Sakakeeny, Matt: "New Orleans Music as a Circulatory System" i Black Music Research Journal, vol. 31/2 (2011), s. 291-325. Elektronisk tilgjengelig ved UiO.
Sluka, Jeffrey A. og Antonius C. G. M. Robben: "Fieldwork in Cultural Anthropology. An Introduction" i Sluka and Robben (red.): Ethnographic Fieldwork: An Anthropological Reader, 2012. Malden, Mass: John Wiley & Sons. Side 1-48. Blir gjort tilgjengelig i kompendium.
Wadel, Cato: Feltarbeid i egen kultur: En innf?ring i kvalitativt orientert samfunnsforskning, 1991. Flekkefjord: SEEK. Kap. 3, "Feltarbeid som runddans mellom teori, metode og data", side 127-181. Blir gjort tilgjengelig i kompendium.
Weisethaunet, Hans og Lindberg, Ulf: "Authenticity Revisited: The Rock Critic and the Changing Real" i Popular Music and Society, 33:4. Side 465-485. Elektronisk tilgjengelig ved UiO.
Monografi
I tillegg til pensumet ovenfor skal hver student lese en valgfri monografi innen musikkantropologi/etnomusikologi. Velg en av de f?lgende, eller en annen etter avtale med fagl?rer.
Averill, Gage: A Day for the Hunter, a Day for the Prey: Popular Music and Power in Haiti, 1997. Chicago: Chicago University Press.
Berliner, Paul: Thinking in Jazz: The Infinite Art of Improvisation, 1994. Chicago: Chicago University Press.
Berliner, Paul: The Soul of Mbira: Music and Traditions of the Shona People of Zimbabwe, 1981. Chicago: Chicago University Press.
Brown, Leonard: John Coltrane and Black America's Quest for Freedom: Spirituality and the Music, 2010. Oxford: Oxford University Press.
Eyre, Banning: In Griot Time: Guitar Cultures of Mali, 2000. Philadelphia: Temple University Press.
Feld, Steven: Jazz Cosmopolitanism in Accra, 2012. Durham: Duke University Press.
Gilroy, Paul: The Black Atlantic: Modernity and Double Consciousness, 1993. London: Verso.
Guilbault, Jocelyne: Governing Sound: The Cultural Politics of Trinidad's Carnival Musics, 2007. Chicago: Chicago University Press.
Manuel, Peter: Cassette Culture: Popular Music and Technology in North India, 1993. Chicago: Chicago University Press.
Meintjes, Louis: Sound of Africa: Making Music Zulu in a South African Studio, 2003. Durham: Duke University Press.
Miller, Karl Hagstrom: Segregating Sound: Inventing Folk and Pop Music in the Age of Jim Crow, 2010. Durham: Duke University Press.
Neuman, Daniel: The Life of Music in North India: The Organization of an Artistic Tradition, 1990. Chicago: Chicago University Press.
Radano, Ronald M: Lying up a Nation: Race and Black Nation, 2003. Chicago: Chicago University Press.
Rice, Timothy: May it Fill Your Soul: Experiencing Bulgarian Music, 1994. Chicago: University of Chicago Press.
Seeger, Anthony: Why Suyá Sing: A Musical Anthropology of an Amazonian People, 2004. University of Illinois Press.
Stewart, Gary: Rumba on the River: A History of the Popular Music of the Two Congos, 2003. London: Verso.
Stokes, Martin: The Republic of Love: Cultural Intimacy in Turkish Popular Music, 2010. Chicago: Chicago University Press.
Turino, Thomas: Moving Away from Silence: Music of the Peruvian Altiplano and the Experience of Urban Migration, 1993. Chicago: Chicago University Press.
Waterman, Christopher: Juju: A Social History and Ethnography of an African Popular Music, 1990. Chicago: Chicago University Press.