HOVEDBOK: Kvale, Steinar og Svend Brinkmann. 2015. Det kvalitative forskningsintervju, oversatt av Tone M. Anderssen og Johan Rygge. Oslo, Gyldendal akademisk.
Eriksen, Thomas Hylland: Sm? steder — store sp?rsm?l. Innf?ring i sosialantropologi. 3. utgave, 2010. Oslo: Universitetsforlaget. Kapitel 1-5, side 13-78.
[English version: Eriksen, Thomas Hylland: Small Places, Large Issues: An Introduction to Social and Cultural Anthropology. London: Pluto Press; 4th edition, 2015]
Ruud, Even. 2016. Musikkvitenskap. Oslo: Universitetsforlaget, 111-118, 169-171.
Ruud, Even. 2013. Musikk og identitet. Oslo: Universitetsforlaget, 51-82.
English text: Even Ruud (1997) Music and identity, Nordisk Tidsskrift for Musikkterapi, 6:1, 3-13, DOI:10.1080/08098139709477889
ARTIKLER/BOKKAPITLER:
Anon. “Strategies for Qualitative Interviews.” Harvard University, Department of Sociology.
Assmann, Aleida. 2011. “Archives.” Cultural Memory and Western Civilization. Functions, Media, Archives, Cambridge: Cambridge University Press, 327-332
Born, Georgina and Hesmondhalgh, David. 2000. (red.): Western Music and its Others: Difference, Representation, and Appropriation in Music. Berkeley: University of California Press, s. 1-31.
Born, Georgina. 2010. “The Social and the Aesthetic: For a Post-Bourdieuian Theory of Cultural Production.” Cultural Sociology, Volume 4(2): 171–208.
Bowen, Glenn A. 2009. “Document Analysis as a Qualitative Research Method.” Qualitative Research Journal, 9(2), 27-44.
Briggs, Charles. 1986. “Introduction”, in Learning How To Ask: A Sociolinguistic Appraisal of the Role of the Interview in Social Science Research. Cambridge: Cambridge University Press, 1-30.
DeNora, Tia. 1999. “Music as a Technology of the Self." Poetics 27, 31-56.
Featherstone, M. 2006. “Archive.” Theory, Culture & Society 23(2-3), 591–596
Feld, Steven. 2007. "Dialogic Editing: Interpretin how Kaluli read Sound and Sentiment." Antonius CHM Robben & Jeffrey A. Sluka (red.) Ethnographic Fieldwork. An Anthropological Reader, Blackwell, 417-430.
Foucault, Michel. 1972. "Introduction." The Archaeology of Knowledge. London: Tavistock.
Foucault, Michel. 1984. “Nietzsche, Genealogy, History”, The Foucault Reader, (red.) Paul Rabinow. New York: Pantheon.
Gripsrud, Jostein. 2002. ”Popul?rmusikk mellom kunst og marked”, i Gripsrud (red.) Popul?rmusikken i kulturpolitikken. Oslo: Norsk Kulturra?d, 8-45.
Hebdige, Dick. 1979. Part One: ‘From culture to hegemony’, Subculture: The Meaning of Style, Routledge, 1-19.
J?rgensen, Marianne Winter og Louise Phillips. 2006. “Det diskursanalytiske felt”, Diskursanalyse som teori og metode. Roskilde: Roskilde Universitetsforlag, 9-28.
Kvale. S. 2011. “Planning An Interview Study”. Doing Interviews. London: Sage, 34-50. http://methods.sagepub.com.ezproxy.uio.no/book/doing-interviews
Peters, John Durham. 2008. "History as a Communication Problem." In Explorations in Communication and History, (red.) Barbie Zelizer. London: Sage.
Small, Christopher. 1998. ”Prelude”, Musicking: The Meanings of Performing and Listening, Hanover, NH: Wesleyan University Press, s. 1-18.
Wadel, Cato 1991. "Feltarbeid som runddans mellom teori, metode og data", Feltarbeid i egen kultur: En innf?ring i kvalitativt orientert samfunnsforskning. Flekkefjord: SEEK. Kap. 3, 127-181.
Webb, Peter. 2004. “Interrogating the production of sound and place: the Bristol phenomenon, from Lunatic Fringe to worldwide Massive”, i S. Whiteley, A. Bennett, S. Hawkins (red.) Music, Space, and Place, 66-85.
Weisethaunet, Hans og Ulf Lindberg, 2010. "Authenticity Revisited: The Rock Critic and the Changing Real", Popular Music and Society, 33:4, 465-485.
Lindberg et al. 2005. Rock Criticism from the Beginning. New York: Peter Lang (excerpt, 23-35).