Pensum/l?ringskrav

Auslander, Philip: Performance in a Mediatized Culture , 2008. New York: Routledge. Kapittel 1 og 2 (s. 1-72).

Bowman, Rob: "The Determining Role of Performance in the Articulation of Meaning: The Case of ‘Try a Little Tenderness" i Moore, Allan F.: Analyzing Popular Music, 2003. Cambridge: Cambridge University Press. S. 103-30. Boka er elektronisk tilgjengelig.

Bradby, Barbara: "Sampling sexuality: gender, technology and the body in dance music" i Popular Music 12/2, 1993. S. 155-76. Tidsskriftet er elektronisk tilgjengelig.

Br?vig-Hanssen, Ragnhild: Music in Bits and Bits of Music: Signatures of Digital Mediation, 2012. UiO. PhD. Tilgjengelig i Fronter i januar.

Br?vig-Hanssen, Ragnhild and Anne Danielsen: "The Naturalised and the Surreal: Changes in the Perception of Popular Music Sound" i Organised Sound, 18/1. Tidsskriftet er elektronisk tilgjengelig.

Danielsen, Anne: Presence and Pleasure: The Funk Grooves of James Brown and Parliament, 2006. Middletown, Conn.: Wesleyan University Press. Kap. 3, 4, og 5 (s. 43–91).

Fast, Susan: In the Houses of the Holy, 2001. Oxford: Oxford University Press. Kap. 5 (s. 159–201). Tilgjengelig i Fronter. .

Fast, Susan og Karen Pegley: "Music and Canadian Nationhood Post 9/11: An Analysis of Music Without Borders: Live" i Journal of Popular Music Studies, 18, s. 18–39. Tidsskriftet er elektronisk tilgjengelig.

Frith, Simon: "Art Versus Technology: The Strange Case of Popular Music" i Media, Culture & Society, 1986. 8, s. 263–79. Tidsskriftet er elektronisk tilgjengelig.

Gunkel, David: "What Does it Matter Who is Speaking? Authorship, Authority and the Mashup" i What Does it Matter Who is Speaking? Authorship, Authority and the Mashup, 2012. 35/1, s. 71–91. Tidsskriftet er elektronisk tilgjengelig.

Mayhew, Emma: "Positioning the producer: gender divisions in creative labour and value" i S. Whiteley, A. Bennett og S. Hawkins (red.): Music, Space and Place, 2004. Aldershot: Ashgate. (S. 149-62) Tilgjengelig i Fronter.

Hawkins, Stan: Settling the Pop Score: Pop Texts and Identity Politics , 2002. aldershot: Ashgate. Kap. 1.

Hawkins, Stan and John Richardson: "Remodeling Britney Spears: Matters of Intoxication and Mediation" i Popular Music and Society 30, 2007. Tidsskriftet er elektronisk tilgjengelig.

Hawkins, Stan and John Richardson: "Remodeling Britney Spears: Matters of Intoxication and Mediation" i Popular Music and Society, 2007. 30. Tidsskriftet er elektronisk tilgjengelig.

McClary, Susan and Robert Walser: "Start Making Sense! Musicology Wrestles with Rock" i Simon Frith og Andrew Goodwin (red.): On Record: Rock, Pop, and the Written Word, 1990. New York: Pantheon Books. S. 277–92. Tilgjengelig i Fronter.

McLeod, Kembrew: Freedom of Expression (R): Overzealous Copyright Bozos and Other Enemies of Creativity, 2005. New York: Doubleday. Kap 1 (s. 13–61).

Vernallis, Carol: Experiencing Music Video , 2004. Columbia University Press. Kap. 1, s. 193–217. Tilgjengelig i Fronter..

Walser, Robert: "Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy" i Ethnomusicology, 39/2, s. 193–217. Tidsskriftet er elektronisk tilgjengelig.

Warwick, Jacqueline: "He’s got the power: the politics of production in girl group music" i S. Whiteley, A. Bennett og S. Hawkins (red.): Music, Space and Place, S. 191–200. Tilgjengelig i Fronter .

Wikstr?m, Patrick: The Music Industry: Music in the Cloud , 2009. Cambridge/Malden, MA: Polity Press. Kapittel 1, 2 og 3 (12–117).

Wurtzler, Steve: "“‘She Sang Live, But The Microphone Was Turned Off’: The Live, the Recorded and the Subject of Representation" i Rick Altman (red.): Sound Theory, Sound Practice, 1992. New York/London: Routledge. S. 87–103. Tilgjengelig i Fronter.

Published Oct. 3, 2012 2:52 PM - Last modified Jan. 23, 2013 2:07 PM