Forel?pig bibliografi
Berendt, J. (1991): The Jazz Book, sixth edition, revised by Gunter Huesmann (Lawrence Hill Books)
Gridley, M. C. (1999): Jazz Styles. History and Analysis (Prentice-Hall)
Mingus, C. (1995): Beneath the Underdog. (Payback Press).
Davis, M. og Troupe, Q. (1989): Miles. The Autobiography. (Touchstone).
Conyers Jr, J. L (red.) (2001): African American Jazz and Rap. Social and Philosophical Examinations of Black Expressive Behaviour. (McFarland)
Rosenthal, D. H. (1992): Hard Bop. Jazz & Black Music 1955-1965. (Oxford University Press)
Erickson, P. (utgivelses?r ukjent): “Black and White, Black and Blue: The Controversy Over the Jazz Series at Lincoln Center”, internett-artikkel: http://www.dla.utexas.edu/depts/ams/Jazz/Jazz2/Erickson.html
Martin, D.-C. (1991): “Filiation or Innovation?: Some Hypotheses to Overcome the Dilemma of Afro-American Music’s Origins” i Black Music Research Journal, vol. 11, nr. 1
Snead, J. A. (1998): ”Repetition as a Figure of Black Culture” i O’Meally, R. G. (red.): The Jazz Cadence Of American Culture (Columbia University Press)
West, C. (1988): “On Afro-American Popular Music: From Bebop to Rap” i Prophetic Fragments(William B. Eerdmans Publishing Co.)
Monson, I. (1995): “The Problem With White Hipness: Race, Gender, and Cultural Conceptions in Jazz Historical Discourse” i Journal of the American Musicological Society (Volume XLVIII, nr. 3)
Gabbard, K. (red.) (1995): Jazz Among the Discourses. (Duke University Press).
Gabbard, K. (red.) (1995): Representing Jazz. (Duke University Press).
O’Meally, R. G. (red.) (1998): The Jazz Cadence of American Culture. (Columbia University Press).
Gendron, B. (2002): Popular Music and the Avant-Garde. Between Montmatre and the Muddclub. (The University Of Chicago Press).
Eriksen, Espen (2001): Fertile Crossing in Jazz. En problematisering av definisjon og stil i jazz p? slutten av det 20.?rhundre. (Hovedoppgave ved IMT). Johnson, B. (2000): The Inaudible Music. Jazz, Gender and Australian Modernity. (Currency Press).
Gabbard, K. (1995): “Signifyin(g) the Phallus: Mo’ Better Blues and Representations of the Jazz Trumpet.” i Gabbard, K. (red.): Jazz Among the Discourses. (Duke University Press).
Annfelt, T. (2003): ”Jazz as Masculin Space” (Kilden)
Berliner, P. F. (1994): Thinking in Jazz. The Infinite Art of Improvisation. (The University of Chicago Press).
Early, G. (red.) (2001): Miles Davis and American Culture. (Missouri Historical Society Press).