Pensum/l?ringskrav

  • Ruth Katz: The Powers of Music. Aesthetic Theory and the Intervention of Opera, London1994.

  • Gary Tomlinson: Metaphysical Song. An Essay on Opera, Princeton Univ. Press, New Jersey 1998. ISBN 0-691-00408-0 (paperback)

  • F. Sternfeld: The Birth of Opera, Oxford, Clarendon Press, 1993. ISBN: 0-19-816130-1

  • Jette Barnhold Hansen: Den klingende tale. 澳门葡京手机版app下载 i de f?rste hofoperaers 'stile monodico' p? baggrund af senren?ssansens retorikreception. Aarhus Univ. 2001/Kompendium UniPub

KOMPENDIUM VOL. I:

  • Eric Chafe: "Aspects of durus/mollis shift and the two-system framework of Monteverdi's music", in: Werner Breig (hrsg.) Schütz-Jahrbuch, Kassel 1991, pp.171-206

  • Gary Tomlinson: "Madrigal, monody, and Monteverdi's via naturale alla Imitatione", in: Journal of the American Musicological Society, Vol. XXXIV, No. 1, Spring 1982, pp. 60-108

  • Gary Tomlinson: "Kap. 1: Oppositions in Late-Renaissance thought: Three Case Studies", pp. 3-32, in: Claudio Monteverdi and the End of the Renaissance, Chicago Univ. Press, Chicago/London 1993

  • Gary Tomlinson: "Kap. 10: Monteverdi and Italian Culture, 1550-1700", pp. 243-260, in: Claudio Monteverdi and the End of the Renaissance, Clarendon Press, Oxford 1987

  • N. Pirrotta: "Kap. 14: The orchestra and Stage in Renaissance Intermedi and early Opera", pp. 210-216, in: Music and culture in Italy from the Middle Ages to the Baroque, Harvard U. P., London 1984

  • N. Pirrotta: "Kap. 15: Temperaments and Tendencies in the Forentine Camerata", pp. 217-234, in: Music and culture in Italy from the Middle Ages to the Baroque, Harvard U. P., London 1984 (485 s)

  • N. Pirrotta: "Kap. 16: Monteverdi and the Problems of Opera", pp. 235-253, in: Music and culture in Italy from the Middle Ages to the Baroque, Harvard U. P., London 1984

  • N. Pirrotta: "Kap. 18: Monteverdi's Poetic Choices", pp. 271-316, in: Music and culture in Italy from the Middle Ages to the Baroque, Harvard U. P., London 1984

  • Leon Plantinga: "Poetry and Music", pp. 321-353 in: Baker/Russo Hanning (ed.): Musical Humanism and Its Legacy. Essays in Honor of Claude V. Palisca, , NY 1992,

  • Maria Rika Maniates: "Foreword/Intoduction", pp. viiin: C. Palisca (ed.) Nicola Vicentino: Ancient Music adapted to Modern Practice. pp. vii-lxiii, Yale/New Haven 1991.

  • "The Florentine Camerata": in: C. Palisca (ed.): The Florentine Camerata. Documentary Studies and Translations. Yale 1989, pp. 1-13

  • "The Letter [to Vincenzo Galilei] of 8 May 1572 from Girolamo Mei, translation": in: C. Palisca (ed.): The Florentine Camerata. Documentary Studies and Translations. Yale 1989, pp. 56-76

  • "G. Bardi: The "Disourse 澳门葡京手机版app下载d to Giulio Caccini, Called the Roman, on Ancient Music and Good Singing, translation": in: C. Palisca (ed.): The Florentine Camerata. Documentary Studies and Translations. Yale 1989, pp. 91-131

  • "G. Bardi: The Discourse on how Tragedy should be Performed, translation": in: C. Palisca (ed.): The Florentine Camerata. Documentary Studies and Translations. Yale 1989, pp. 141-151

  • C. V. Palisca: "The Artusi-Monteverdi Controversy" in Arnold/Fortune: The New Monteverdi Companion, , pp. 127 - 158

  • Margaret Murata: "The Baroque Era: Introduction", in: Oliver Strunk (ed. L. Treitler): Source readings in Music History, Norton, London1998, pp. 511-520

  • Pietro de' Bardi: "Letter to Giovanni Battista Doni", in: Oliver Strunk (ed. L. Treitler): Source readings in Music History, Norton, London1998, pp. 523-525

  • Giovanni Maria Artusi: "FROM 'Artusi, or, Of the Imperfections of Modern Music'", in: Oliver Strunk (ed. L. Treitler): Source readings in Music History, Norton, London1998, pp. 526-53

  • Claudio and Giulio Cesare Monteverdi: "Explanation of the Letter Printed in the Fifth Book of Madrigals", in: Oliver Strunk (ed. L. Treitler): Source readings in Music History, Norton, London1998, pp. 535-543

  • Giulio Caccini: "Dedication to 'Euridice'", in: Oliver Strunk (ed. L. Treitler): Source readings in Music History, Norton, London1998, pp. 605-606

  • Giulio Caccini: "FROM: Preface to 'Le nuove musiche'", in: Oliver Strunk (ed. L. Treitler): Source readings in Music History, Norton, London1998, pp. 607-616

  • Anon: "FROM: 'The Choragus, or, Some Observations for Staging Dramatic Works", in: Oliver Strunk (ed. L. Treitler): Source readings in Music History, Norton, London1998, pp. 629-633

  • Jacopo Peri: "Preface to 'The music for Euridice'", in: Oliver Strunk (ed. L. Treitler): Source readings in Music History, Norton, London1998, pp. 659-661
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KOMPENDIUM VOL. II:

  • N. Pirrotta/E. Povoledo: "Kap. 1: Orpheus, singer of strambotti" pp. 3-36, in: Music and theatre from Poliziano to Monteverdi, Cambridge UP, Cambridge 1982

  • N. Pirrotta/E. Povoledo: "Kap. 5: 'The wondrous show, alas, of the intermedi!'" pp. 173-236, in: Music and theatre from Poliziano to Monteverdi, Cambridge UP, Cambridge 1982

  • N. Pirrotta/E. Povoledo: "Kap. 6: Opera and early aria" pp. 237-280, in: Music and theatre from Poliziano to Monteverdi, Cambridge UP, Cambridge 1982

  • Gary Tomlinson: "Kap. 3: Modes and Plantetary Song: The Musical Alliance to Ethics and Cosmology", in: Music in Renaissance Magic, Chicago Univ. Press, Chicago/London 1993, pp. 67-100

  • Gary Tomlinson: "Kap. 4: Ficino's Magical Songs", in: Music in Renaissance Magic, Chicago Univ. Press, Chicago/London 1993, pp. 101-144 (totalt 280 s)

  • Gary Tomlinson: "Kap. 5: Musical Posession and Musical Soul Loss", in: Music in Renaissance Magic, Chicago Univ. Press, Chicago/London 1993, pp. 145-188

  • Barbara Russo Hanning: "Kap. 1: Rinuccini and the Power of Music", in: Of Poetry and Music's Power, UMI Research Press, Michigan 1980/69, pp. 1-20

  • Barbara Russo Hanning: "Kap. 3: The Orfeo Libretti and the Formulation of the New recitative Style", in: Of Poetry and Music's Power, UMI Research Press, Michigan 1980/69, pp. 43-130
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Publisert 6. mars 2005 16:24