B?ker
Katz, Mark (2004). Capturing Sound. How Technology Has Changed Music. London: University of California Press. (235 s.)
Wikstr?m, Patrik (2013). The Music Industry (2nd edition). Cambridge, UK: Polity (203 s.)
Kassabian, Anahid (2013). Ubiquitous Listening. Affect, Attention, and Distributed Subjectivity. London: University of California Press (133 s.)
Artikler p? nett:
Baym, Nancy (2012) "Fans or friends?: Seeing social media audiences as musicians do" Participations, Journal of Audience & Reception Studies, vol. 9, issue , pp. 286-314 (28 s.)
Frith, Simon (1986). “Art versus technology: the strange case of popular music”, Media, Culture & Society vol. 8, pp. 263-279. (16 s.)
Hagen, Anja N. (2015) "Using Music Streaming Services: Practices, Experiences, and the Lifeworld of Musicking." Avhandling, UiO.
Online: https://www.hf.uio.no/imv/forskning/prosjekter/skyogscene/publikasjoner/hagen2015.pdf
Hagen, Anja N. (2015) "The playlist experience: personal playlists in music streaming services", Popular Music and Society 38(5), pp. 625-645. (20 s.)
Kjus, Yngvar (2015). "Reclaiming the Music: The Power of Local and Physical Music Distribution in the Age of Global Online Services", New Media and Society. doi:10.1177/1461444815580414, pp. 1-16 (16 s.)
Maas?, A. (14 March 2014): User-centric settlement for music streaming. Report presented at SXSW 2014, Panel: Distribution of Income in a Streaming Economy. Austin Texas. Online: http://www.hf.uio.no/imv/forskning/prosjekter/skyogscene/publikasjoner/usercentric-cloudsandconcerts-report.pdf (10 s.)
Nowak, Rapha?l (2014). "Investigating the interactions between individuals and music technologies within contemporary modes of music consumption", First Monday, vol 19(10). doi:10.5210/fm.v19i10.5550 (10 s.)
Kompendium
Markussen, Bjarne (2015). "Forord" i Markussen, B. (red.) Lydspor. N?r musikk m?ter tekst og bilder. Kristiansand: Portal Forlag, ss. 9-19 (10 s.)
Bonde, Anders (2015). "Emergens som teoretisk rammeverk i analysen av multimodale udtryksformer", i Markussen, Bjarne (red.), Lydspor. N?r musikk m?ter tekst og bilder. Kristiansand: Portal Forlag, ss. 22-47, (25 s.)
Gillespie, Tarleton (2014). "The relevance of algorithms" in Gillespie, T., Boczkowski, P., & Foot, A., (eds). Media Technologies: Essays on Communication, Materiality and Society. Cambridge, MA: MIT Press, pp. 167-193 (26 s.)
Hesmondhalgh, David (2013). "Feeling and flourishing" in Why Music Matters, Sussex, UK: Wiley Blackwell, pp. 11- 56 (45 s.)
Negus, Keith (1999). "Culture, industry, genre: conditions of musical creativity" in Music Genres and Corporate Cultures, London and New York: Routledge, pp. 14-30 (16 s.)
Sterne, Jonathan (2012). "Is Music a Thing?" in MP3 - The Meaning of a Format, Durham: Duke University Press, pp. 184-226 (42 s.)
Tekster p? Fronter:
Ragnhild Br?vig-Hansen (2013). Bits of Music and Music in Bits - Signatures of Digital Mediation in Popular Music Recordings. Utdrag fra doktorgradsavhandling, Universitetet i Oslo (30 s.)
Hagen, Anja N. (2015). Using Music Streaming Services, Experiences, Practices and the lifeworld of Musicking. Utdrag fra doktorgradsavhandling, Universitetet i Oslo (ca 30 s.)
Totalt sideantall: 895 sider