B?KER
Bordwell, David (2006). The Way Hollywood Tells It: Story and Style in Modern Movies, Berkeley: University of California Press (298 s.)
Dennison, Stephanie og Song Hwee Lim (2006). Remapping World Cinema. Identity, Culture, and politics in film, London: Wallflower Press. (203 s.)
Fowler, Cathrine (red.) (2002). The European Cinema Reader. London: Routledge. (245 s.)
Gledhill, Christine og Linda Williams, red. (2000). Reinventing Film Studies. London: Hodder. (Utdrag, kapittel 15, 18, 19, 20, 21, 22 og 23) (119 s.)
Shohat, Ella og Stam, Robert (eds) (2003). Multiculturalism, Postcoloniality and Transnational Media. Rutgers Depth of Field Series (330 s.)
Tzioumakis, Yannis (2006) American Independent Cinema. An Introduction, Edinburgh: Edinburgh University Press (302 s.)
Yueh-Yu Yeh, Emilie og Darrell William David (2005) Taiwan Film Directors. A Treasure Island, New York: Columbia University Press (296 s.)
KOMPENDIUM I
Bazin, André. ?The Evolution of the language of Cinema?. Overs. Hugh Gray. I What is Cinema vol 1. Berkeley: University of California Press, 1967. 23–40. (18 s.)
Ehrlich, Linda C. og Desser, David (red.) (1994). Cinematic Landscapes: Observations on the Visual Arts and Cinema of China and Japan. Austin: University of Texas Press. Kapittel 7, 8, 10, 11, 12 og 13. (113 s.)
Espinosa, Julio García. ?For an Imperfect Cinema?. I Film and Theory: An Anthology. Robert Stam og Toby Miller, red. Malden: Blackwell, 2000. 287–97. (10 s.)
Gabriel, Teshome H. ?Towards a Critical Theory of Third World Films?. I Film and Theory: An Anthology. Robert Stam og Toby Miller, red. Malden: Blackwell, 2000. 298–316. (18 s.)
Kaplan, E. Ann. ?Problematising Cross-cultural Analysis: The Case of Women in the Recent Chinese Cinema?. I Perspectives on Chinese Cinema. Chris Berry, red. London: BFI, 1992 141-154. (14 s.)
Lauretis, Teresa de’. ?Rethinking Women’s Cinema: Aesthetics and Feminist Theory?. I Film and Theory: An Anthology. Robert Stam og Toby Miller, red. Malden: Blackwell, 2000. 317–36. (19 s.)
Solanas, Fernando og Octavio Gettino. ?Towards a Third Cinema?. I Film and Theory: An Anthology. Robert Stam og Toby Miller, red. Malden: Blackwell, 2000. 265–86. (21 s.)
Stam, Robert. ?Alternative Aesthetics: Introduction?. I Film and Theory: An Anthology. Robert Stam og Toby Miller, red. Malden: Blackwell, 2000. 257–64. (7 s.)
Thompson, Kristin (1999). Storytelling in the New Hollywood. Cambridge: Harvard University Press. Side 1- 50. (50 s.)
Yau, Esther C. M. ?Yellow Earth: Western Analysis and a Non-Western Text?. I Perspectives on Chinese Cinema. Chris Berry, red. London: BFI, 1992. 62-79. (18 s.)
KOMPENDIUM II
BORDWELL, DAVID (2001) “An Analytical Essay”, i David Bordwell Film Viewers, New York: McGraw-Hill, s. 17-33 – 17 sider
GEIGER, JEFFREY OG R. L. RUTSKY (2005) “Introduction”, i Jeffrey Geiger og R. L. Rutsky (red.) Film Analysis, New York: W. W. Norton & Company, s. 17-40 – 24 sider
ANDERSSON, LARS GUSTAF OG ERIK HEDLING (1999) “Att analysera film”, i Lars Gustaf Andersson og Erik Hedling Filmanalys. En introduktion, Lund: Studentlitteratur, s. 7-11 – 5 sider
ELSAESSER, THOMAS OG WARREN BUCKLAND (2002) “Film theory, methods, analysis”, i Thomas Elsaesser og Warren Buckland Studying American Film. A Guide to Movie Analysis, London: Hodder Arnold, s. 1-25 – 25 sider
BORDWELL, DAVID OG KRISTIN THOMPSON (2008) “Film Criticism: Sample Analyses”, i Film Art. An Introduction, 8th ed., New York: McGraw-Hill, s. 384-410 – 27 sider
NAFICY, HAMID (2005) “Questioning Reality, Realism, and Neorealism”, i Jeffrey Geiger og R. L. Rutsky (red.) Film Analysis, New York: W. W. Norton & Company, s. 795-812 – 18 sider