Books
Woods, Faye (2016) British Youth Television Transnational Teens, Industry, Genre London Palgrave MacMillian (147 s)
Lotz, Amanda D. og Jonathan Gray (2011) Short Introductions: Television Studies (200 s)
Christian, Aymar Jean (2018) Open TV Innovation beyond Hollywood and the Rise of Web Television NYC New York NYU Press (320 s)
Articles
Creeber (2011) It’s not TV, it’s online drama: The return of the intimate screen i International Journal of Cultural Studies Vol 14, Issue 6, pp. 591 – 606 (15 s) http://journals.sagepub.com/doi/abs/10.1177/1367877911402589
Creeber, Glen (2006) ’Analysing Television: Issues and Methods’ in Textual i Tele-Visions An Introduction to Studying Television Glen Creeber (red) London. BFI (18 s)
Dawson, Max (2012) ’Defining Mobile Television: The Social Construction and Deconstruction of New and Old Media’ Popular Communication Vol. 10 , Iss. 4, 2012 (16s) http://www.tandfonline.com/doi/abs/10.1080/15405702.2012.715329?journalCode=hppc20
Dawson, Max (2007) ’Little Players, Big Shows Format, Narration, and Style on Television's New Smaller Screens’ iConvergence Vol 13, Issue 3, pp. 231 – 250 (19s) http://journals.sagepub.com/doi/abs/10.1177/1354856507079175
Feuer, Jane (1995) Seeing Through the Eighties: Television and Reaganism Durham og London Duke University Press (kap 5) (19s)
Groening Stephen (2010) ’From ‘a box in the theater of the world’ to ‘the world as your living room’: cellular phones, television and mobile privatization’ i New Media & Society 12(8) 1331–1347 DOI: 10.1177/1461444810362094 (17s)http://journals.sagepub.com/doi/abs/10.1177/1461444810362094
Feuer, J. (1983) ‘The Concept of Live Television: Ontology as Ideology’, in E.A. Kaplan (ed.) Regarding Television: Critical Approaches – An Anthology, pp. 12–22. Los Angeles, CA: The American Film Institute (13s)
Krüger, Steffen og Gry Rustad (2017) ’Coping with shame in a media-saturated society.The Norwegian web-series Skam as transitional object’ i Television and New Media (ca 25s)
Lysne, Anders (2016) ’On Becoming and Belonging: The Coming of Age Film in Nordic Cinema’ i Perspectives on the Nordic Perspectives on the Nordic Lothe og Larsen (red) (14s)
McNutt, Myles (2017) Putting Skam into Perspective: Narrative focus and Skam’s growing Fandom Cultural Learnings Blogpost (ca 4s) https://cultural-learnings.com/2017/04/17/skam-fandom-isak-even-sana-narrative-season4/
Modleski, Taina (1982) ’In Search for Tomorrow In Today’s Soap Operas’ i Loving With a Vengance Mass-Produced Fantasies for Women New York. London: Routledge (31s)
Modleski, Taina (1983) Rythms of Reception and Daytime Televison and Women’s Work i Regarding Television: Critical Approaches an Anthology E. Ann Kaplan (red) LA. The American Film Institute (8s)
Rustad, Gry (2016) ’Producing Teen Television’ Paper presentert Console-ing Passions 16.06 2016 Notre Dame Univeristy (6s)https://www.academia.edu/26377183/Producing_feminist_teen_television
Rustad, Gry C (2017) 'Public Service Teen Television in Norway: The case of the Skam' (6s) Presented at Console-Ing Passions, Greenville, North Carolina 2017, 28.09 2017
Rustad, Gry C (2018) ‘Teens, Screens and the Rhythms of Reception in Social Media Television’ article draft under review in Cinema Journal (20s)
Ryan, Marie-Laure (2004) ”Will New Media Produce New Narrative?” i Narrative Across Media: The Languages of Storytelling Marie-Laure Ryan, James Ruppert, John W. Bernet (red) U of Nebraska Press (22 s)
Schanke Sundet, Vilde (2017) ’From 'secret' online teen drama to international cult phenomenon: The global expansion of SKAM and its public service mission’ i The Scandinavian Invasion: The Nordic Noir Phenomenon and Beyond Richard McCulloch og William Proctor (red) Peter Lang (15s) https://www.researchgate.net/publication/316189238_From_'secret'_online_teen_drama_to_international_cult_phenomenon_The_global_expansion_of_SKAM_and_its_public_service_mission_forthcoming_2017