Det kan komme endringer i pensumlisten.
B?ker:
Hausken, Liv (2009) "Medieestetikk. 澳门葡京手机版app下载 i estetisk medieanalyse", Scandinavian Academic Press
Hausken, Liv (red.) (2013) "Thinking Media Aesthetics", Peter Lang Academic Publishing
Peacock, Steven and Jacobs, Jason (2013) "Television Aesthetics and Style", Bloomsbury
Wolfgang Ernst (2016) "Chronopoetics", Rowman and Littlefield International
Tilgjengelig i fronter:
Furniss, Maureen (2007) “Introduction to animation studies” i Art in motion: animation aesthetics, John Libbey Publishing s. 3-12 (10 s).
Kompendium:
Bazin, André (1971) “An Aesthetic of Reality: Neorealism” i A. Bazin What is Cinema? Volume 2. Berkely: University of California Press, s. 16-40.
(25 sider)
Benjamin, Walter (1991 [1939]) “Kunstverket i reproduksjonsalderen” i Kunstverket i reproduksjonsalderen. Essays om Kultur, litteratur og politikk, Oslo: Gyldendal Norsk Forlag, s.35-64, 30s.
No?l Carroll (1996) “From Real to Reel: Entangled in Non-fiction Film” i N. Carroll Theorizing The Moving Image, New York: Cambridge University Press, 2. 224-252. (29 sider)
Carroll, N?el (2007) ”Narrative Closure”, Philosophical Studies, Vol.135, No.1, pp.1-15 (15 sider)
Freeland, Cynthia (2007) ”Portraits in Painting and Photography”, in Philosophical Studies: An International Journal for Philosophy in the Analytic Tradition, Vol.135, No.1., pp.95-109. (15 sider)
Furniss, Maureen (2007) “Introduction to animation studies” i Art in motion: animation aesthetics, John Libbey Publishing s. 3-12 (10 s).
Kittler, Friedrich (2009[2002]) ”Optiske medier - to forelesninger” i Mediefilosofi. Oslo: Cappelen Damm.s.97-143, 47s.
Kukkonen, Karin (2011) ”Comics as a Test Case for Transmedial Narratology”, SubStance, Vol.40, n.1 (issue 124), pp.34-52 (19 sider)
Mitchell, W.J.T. (2008) “Adressing Media", MediaTropes eJournal, vol I, pp. 1–18, 19s.
Mitchell, W. J. T. og Mark B. N. Hansen (2010) (red.) “Introduction” i Critical Terms for Media Studies. Chicago: University of Chicago Press, s.vii-xx11, 16s.
Pye, Douglas (2007) ”Movies and Tone” i J. Gibbs og D. Pye red. Close-Up 02. London: Wallflower Press, s. 5-31.
(26 sider)
Smith, Greg (1999) “Local Emotions, Global Moods and Film Structure” i C. Plantinga og G. Smith red. Passionate Views. BA, Maryland: John Hopkins University Press, s. 103-126.
(24 sider)
Smith, Murray (1995) ”Film Spectatorship and the Institution of Fiction”, The Journal of Aesthetics and Art Criticism, Vol.53, No.2 (Spring 1995), pp.113-127 (15 sider)
Weber, Samuel (1996) “Television: Set and Screen” I Mass Mediauras. Form, technics, media. Stanford University Press, p.108-128, 21s.
Wilson, George (2006) ”Transparency and Twist in Narrative Fiction Film”, The Journal of Aesthetics and Art Criticism, Vol.64, No.1, pp.81-95 (15 sider)
Verkpensum
I tillegg til ordin?rt pensum skal det legges opp et verkpensum, dvs. et analysemateriale som studentene skal gj?re seg kjent med, som det skal arbeides med p? seminarene, og som vil kunne inng? som analysemateriale til eksamen.
1. et portrett, selvvalgt medium
2. en v?rmelding, selvvalgt medium
3. en animert film eller fjernsynsepisode
4. et vitenskapelig bilde
5. en audiovisuell fiksjonsfortelling
Alt materialet m? kunne leveres i to (2) eksemplarer til eksamen.