Books:
- Johnson, Catherine (2019) Online TV, Taylor and Francis Ltd
- Newman, Michael Z and Elena Levin (2011) Legitimating Television: Media Convergence and Cultural Status Routledge, kap 1-3, 5 og 8 s1-59, s80-100 og s153-172 -
- Dunleavy, Trisha (2017) Complex Serial Drama and Multiplatform Routledge, 202
- Williams, Raymond (2003) Television: Technology and Cultural Form, Routledge, 192s
Articles:
- Brunsdon, Charlotte (2000), The feminist, the housewife, and the soap opera (Oxford. Oxford Television) Chapter 1 and 3, s19-39 og s52-66, 38s
- Brunsdon, Charlotte (1990) “Problems With Quality”, in Screen 31, Spring 1990, University of Glasgow s67-90, 23
- Butsch, Richard (2003) Ralph, Fred, Archie and Homer: Why television keeps re-creating the white male working class buffoon, from Gail Dines and Jean Humez, eds., Gender, Race and Class in Media: A Text-Reader, second edition (Sage, 2003), 575-585 10s
- Christian, Aymar Jean (2017) The Value of Representation: Toward a Critique of Networked Television Performance, in International Journal of Communication 11(2017), 1552–1574 22s https://ijoc.org/index.php/ijoc/article/view/5697/1993
- Doane, Mary Ann “Information, Crisis, Catastrophe” Logics of Television: Essays in Cultural Criticism, ed. Patricia Mellencamp (Bloomington, Indiana: Indiana University Press, 1990): 222-239, 17s
- Feuer, J. (1983) ‘The Concept of Live Television: Ontology as Ideology’, in E.A. Kaplan (ed.) Regarding Television: Critical Approaches – An Anthology, pp. 12–22. Los Angeles, CA: The American Film Institute 10s
- Havas, J., & Sulimma, M. (2018). Through the Gaps of My Fingers: Genre, Femininity, and Cringe Aesthetics in Dramedy Television. Television & New Media 15s https://doi.org/10.1177/1527476418777838
- Kuhn, Annette Women’s genre’s Screen, Volume 25, Issue 1, 1 January 1984, Pages 18–29 11s, https://doi.org/10.1093/screen/25.1.18
- Lagerwey, Jorie, Julia Leyda and Diane Negra (2016) ‘Female-Centered TV in an Age of Precarity’ in Genders Issue 1:1 Spring 2016 5s https://www.colorado.edu/genders/2016/05/19/female-centered-tv-age-precarity
- Leyda Julia (2018) Hook and Eye Communication, Culture and Critique, Volume 11, Issue 1, 1 March 2018, Pages 179–182, 3s https://doi.org/10.1093/ccc/tcx007
- Joyrich, Lynne (2014) ‘Queer Television Studies: Currents, Flows, and (Main)streams’ Cinema Journal Vol. 53, No. 2 (Winter 2014), pp. 133-139, 6s https://www.jstor.org/stable/pdf/43653574.pdf?seq=1#page_scan_tab_contentsn
- Mittell, Jason (2006) “Narrative Complexity in Contemporary American Television”, in The Velvet Light Trap #58, Fall 2006, pp. 29-40, 11s
- Rustad, Gry Cecilie & Vermeulen, Tim (2012). "Did You Get Pears?" Temporality and Temps Morality in The Wire, Mad Men and Arrested Development, In M M Ames (ed.), Time in Television Narrative: Exploring Temporality in Twenty-First-Century Programming. University Press of Mississippi. ISBN 978-1-61703-293-6. 10. s 153 – 164, 11s
- Solum, Ove (2016) "What is it about Nordic Noir? i Jakob Lothe (ed): Perspectives on the Nordic, Novus Press. Oslo
- Vermeulen, Timotheus & Rustad, Gry Cecilie (2013). Watching Television with Jacques Ranciere: Us Quality TV, Mad Men and the late cut. Screen. ISSN 0036-9543. 54(3), s 341- 354, 13s. doi:https://doi.org/10.1093/screen/hjt020
- Waade, Anne Marit (2013) Nordic Production Values: The Killing and The Bridge i Akademisk Kvarter, vol 07, 2013. ?rhus Universitet.
- Waade, Anne Marit (2017), Malancholy in Nordic Noir: Characters, landscapes, light and music in International Journal of Television Studies vol 12, 2017
- Wanzo, Rebecca (2016) “Precarious-Girl Comedy: Issa Rae, Lena Dunham, and Abjection Aesthetics,” in Camera Obscura Volum 31 Number 2, s27-59 22s
Ca 850pages
150 pages of the students own choosing.