MEVIT4117 MODERNE FJERNSYNSFIKSJON
VERKPENSUM
Six Feet Under , sesong 3 – 13 episoder
Curb Your Enthusiasm, sesong 7 – 10 episoder
B?KER
AKASS, KIM AND JANET MCCABE (red.) (2005) Reading Six Feet Under. TV to die for, London: I.B. Tauris – 123 sider
“Foreword” – 6 sider
“Introduction” – 15 sider
“It’s not television, it’s magic realism’: the mundane, the grotesque and the fantastic in Six Feet Under” – 15 sider
“American Gothic: Unermining the uncanny” – 12 sider
“Buried lives: Gothic democracy in Six Feet Under” – 14 sider
“Politcs, tragedy and Six Feet Under: Camp aesthetics and strategies of gay mourning in post-AIDS America” – 9 sider
“’Like, whatever’: Claire, female identity and growing up dysfunctional” – 14 sider
“Desperately seeking Brenda: Writing the self in Six Feet Under” – 11 sider
“Fisher’s sons: Brotherly love and the spaces of male intimacy in Six Feet Under” – 12 sider
“I’m dead, wow, cool: The music of Six Feet Under” – 15 sider
BUTLER, JEREMY G. (2010) Television Style, New York og London: Routledge – 194 sider
“Introduction: Dare We Look Closely at Television? – 25 sider
“Television and Zero-Degree Style” – 44 sider
"Stylistic Crossover in the Network Era: From Film to Television" - 40 sider
“Style in an Age of Media Convergence” – 35 sider
“Televisuality and the Resurrection of the Sitcom in the 2000s” – 50 sider
DUNLEAVY, TRISHA (2009) Television Drama. Form, Agency, Innovation, New York: Palgrave Macmillan – 131 sider
“Introduction” – 9 sider
“Television Drama: Forms and Contexts” – 27 sider
“Dominant Narrative Forms: The Series and the Serial” – 29 sider
“Narrative Complexity in Post-1980: Drama Series and Serials” – 32 sider
"Tradition and Innovation in Situation Comedy" - 32 sider
“Drama and ?TVIII?: Innovations at the ?High-End?” – 34 sider
“Conclusions” – 10 sider
EDGERTON, GARY R. OG JEFFREY P. JONES (red.) (2008) The Essential HBO Reader, Lexington: The University Press of Kentucky – 124 sider
“Introduction: A Brief History of HBO” – 22 sider
“Overview: Producing an Aristocracy of Culture in American Television” – 20 sider
“Oz” – 10 sider
“The Sopranos” – 11 sider
“Six Feet Under” – 12 sider
“The Wire” – 11 sider
“Deadwood” – 12 sider
“Curb Your Enthusiasm” – 10 sider “HBO?s Ongoing Legacy” – 16 sider
MCCABE, JANET OG KIM AKASS (red.) (2007) Quality TV: Contemporary American Television and Beyond, London: I. B. Tauris – 73 sider
“Preface” – 4 sider
“Introduction: Debating Quality” – 11 sider
“Is Quality Television Any Good? Generic Distinctions, Evaluations and the Troubling Matter of Critical Judgment” – 16 sider
“Quality TV Drama: Estimations and Influences Through Time And Space” – 14 sider “Sex, Swearing and Respectability: Courting Controversy, HBO?s Original Programming and Producing Quality TV” – 15 sider
“HBO and the Concept of Quality TV” – 13 sider
POLAN, DANA (2009) The Sopranos, Durham og London: Duke University Press – 141 sider
“Acknowledgments” – 2 sider
“Prologue” – 16 sider
“Watching The Sopranos” – 13 sider
“Eight Million Stories in the Naked City” – 13 sider
“Food for thought” – 11 sider
“Living for the moment” – 7 sider
“The Late Style of The Sopranos” – 9 sider
“Gaming The Sopranos” – 14 sider
“Getting High with The Sopranos” – 12 sider
“Qualifying ‘Quality TV’” – 7 sider
“’Honey, I’m Home’” – 8 sider
“Against interpretation” – 20 sider
“New Jersey Dreaming” – 9 sider
X-PORT
JACOBS, JASON (2001) “Issues of judgement and value in television studies”, i International Journal of Cultural Studies – 21 sider
MITTELL, JASON (2006) “Narrative Complexity in Contemporary American Television”, i The Velvet Light Trap, nr. 58 – 12 sider
KOMPENDIUM
LURY, KAREN (2005) “Image”, i Karen Lury Interpreting Television, London: Hodder Education, s. 7-56 – 50 sider
CARDWELL, SARAH (2006) “Television Aesthetics”, i Critical Studies in Television, Volum 1, nummer 1, s. 72-80 – 9 sider
ELLIS, JOHN (2006) ”Defining the Medium. TV Form and Aesthetics”, i Glen Creeber (red.) Tele-Visions. An Introduction to Studying Television, London: BFI Publishing, s. 12-19 – 8 sider
NELSON, ROBIN (2006) ”Analyzing TV Fiction. How to Study Television Drama”, i Glen Creeber (red.) Tele-Visions. An Introduction to Studying Television, London: BFI Publishing, s. 74-92 – 19 sider
NICHOLAS, KYLE (2006) ”Post TV? The Future of Television”, i Glen Creeber (red.) Tele-Visions. An Introduction to Studying Television, London: BFI Publishing, s. 152-160 – 9 sider
CARROLL, NOEL (2003) ”TV and Film: A Philosophical Perspective”, i Noel Carroll Engaging the Moving Image, London: Yale University Press, s. 265-280 – 16 sider
COLLINS, JIM (2000) ”Television and Postmodernism”, i Robert Stam og Toby Miller (red.) Film and Theory. An Anthology, Oxford: Blackwell Publishers, s. 758-773 – 16 sider
THOMPSON, KRISTIN (2003) ”The Strange Cases of David Lynch”, i Storytelling in Film and Television, Cambridge: Harvard University Press, s. 106-140 – 35 sider
WEINSTOCK, JEFFREY ANDREW (2008) “?Simpsons Did It!? South Park as Differential Signifier”, i Jeffrey Andrew Weinstock (red.) Taking South Park Seriously, New York: State University of New York Press, s. 79-96 – 18 sider
MCWILLIAMS, AMY (2006) “Genre Expectation and Narrative Innovation in Seinfeld”, i David Lavery og Sara Lewis Dunne (red.) Seinfeld, Master of Its Domain: Revisiting Television's Greatest Sitcom, London: Continuum, s. 77-86 – 10 sider
LAVERY, DAVID OG MARK LEVERETTE (2006) ”Rereading Seinfeld after Curb Your Enthusiasm”, i David Lavery og Sara Lewis Dunne (red.) Seinfeld, Master of Its Domain: Revisiting Television's Greatest Sitcom, London: Continuum, s. 203-219 – 17 sider
MIRSOEFF, NICHOLAS (2007) ”Funny Guy”, i Nicholas Mirsoeff Seinfeld, London: BFI TV Classics, s. 50-72 – 23 sider
STAV, BJ?RN S. (2003) ”Sopranos i beste sendetid”, i Anne Gjelsvik og Gunnar Iversen (red.) Blikkfang. Fjernsyn, form og estetikk, Oslo: Universitetsforlaget, s. 149-167 – 19 sider
NELSON, ROBIN (2006) “?Quality Television?: ?The Sopranos is the best television drama ever… in my humble opinion …?”, i Critical Studies in Television, Volume 1, nummer 1, s. 58-71 – 14 sider
JACOBS, JASON (2006) ”Al Swearengen, Philosopher King”, i David Lavery (red.) Reading Deadwood. A Western to Swear By, London: I. B. Tauris, s. 11-21 – 11 sider
MILCH, DAVID (2006) “Al Swearengen”, i David Milch Deadwood. Stories of the Black Hills, New York: Melcher Media, s. 20-27 – 8 sider
AKASS, KIM (2005) “Mother knows best: Ruth and representations of mothering in Six Feet Under”, i Kim Akass og Janet McCabe (red.) Six Feet Under. TV to Die For, London: I. B. Tauris, s. 110-120 – 11 sider
SUNDE, OLE ROBERT (2008) “Blomstrende, livskraftig, beskautet”, i Vinduet, 62. ?rgang, nummer 4, s. 56-61 – 7 sider
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