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{\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044\level1 heading 1;}
{\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044\level2 heading 2;}
{\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044\level3 heading 3;}
{\s4\li900\fi-180\loch\af1\hich\af1\dbch\f2\fs24\ppscheme-1\lang1044\level4 heading 4;}
{\s5\li1260\fi-180\loch\af1\hich\af1\dbch\f2\fs20\ppscheme-1\lang1044\level5 heading 5;}
{\s6\li1620\fi-180\loch\af1\hich\af1\dbch\f2\fs20\ppscheme-1\lang1044\level6 heading 6;}
}
\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044\qc {\hich\af1\dbch\af2\loch\f1 Orden vs uorden: p\uc1\u229\'8c sporet av popul\u230\'berkulturen\par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044\li0\fi0\qc {\hich\af1\dbch\af2\loch\f1 Mevit 3110, \par 
}\pard\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044\li0\fi0\qc {\hich\af1\dbch\af2\loch\f1 Avsluttende forelesning april 2008\par 
}\pard\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044\li0\fi0\qc {\hich\af1\dbch\af2\loch\f1 Tore Slaatta}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Mevit 3110\par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 En idehistorisk, teoriorientert refleksjon over hvordan man til ulike tider har tenkt og forst\uc1\u229\'8ctt seg kulturen i samfunnet\par 
}\pard\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 ca 1850 - 2000\par 
}\pard\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 det popul\uc1\u230\'bere, folkelige, massekulturen i samfunnet.\par 
}\pard\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 medienes rolle i produksjon og distribusjon av kulturelle uttrykk.\par 
}\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Utviklingstrekk\par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Fra fokus p\uc1\u229\'8c maktkritikk og ideologi\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 via demokratisk utvidelse og deltakelse\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 til estetisk pluralisme\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 ...men er det oppst\uc1\u229\'8ctt nye skillelinjer og hierarkier?\par 
}\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Noen motsetningspar}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Samfunnsteori vs. Kulturteori\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Ideologi vs. Praksis\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Kollektiv identitet vs. Subjektkonstruksjon\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Kontinuitet og brudd; \par 
}\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 pensum\par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Er utvalget av tekster }{\hich\af1\dbch\af2\loch\f1 \uc1\u8221\'d3}{\hich\af1\dbch\af2\loch\f1 riktig}{\hich\af1\dbch\af2\loch\f1 \uc1\u8221\'d3}{\hich\af1\dbch\af2\loch\f1 ?\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Er det en }{\hich\af1\dbch\af2\loch\f1 \uc1\u8221\'d3}{\hich\af1\dbch\af2\loch\f1 kanon}{\hich\af1\dbch\af2\loch\f1 \uc1\u8221\'d3}{\hich\af1\dbch\af2\loch\f1  for akademiske kurs/forskning?\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Alternativer?\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Virkninger?}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 The ideology of mass culture?\par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 Ian Angs begrep om den negative, paternalistiske og elit\uc1\u230\'bere troen p\u229\'8c massekulturen\par 
}\pard\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 Opprettholdt av akademia;\par 
}\pard\plain\s4\li900\fi-180\loch\af1\hich\af1\dbch\f2\fs24\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs24 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Kunsthistorie, litteraturhistorie, musikkhistorie osv som fag for bevaring, fortolkning og formidling av en (skjult eller erkjent) kanon\par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 Virker fremmedgj\uc1\u248\'bfrende og identitetshemmende\par 
}\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Kulturteori og kulturstudier idag?\par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 Er de store teorienes tid over?\par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 Fagenes fragmentering og innbyrdes strid }{\hich\af1\dbch\af2\loch\f1 \par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 澳门葡京手机版app下载sobjektet i ekstrem forvandling?\par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 Er}{\hich\af1\dbch\af2\loch\f1  kulturen blitt fragmentert og uoversiktlig?\par 
}\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Tre lange linjer\par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Marxismen\par 
}\pard\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\hich\af1\dbch\af2\loch\f1 \tab vs. sivilisasjons-perspektivet\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Post-strukturalismen\line vs. strukturalismen}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Politisk \uc1\u248\'bfkonomiske tiln\u230\'berminger\line vs. Semiotikken, de tekstorienterte studiene}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Men egentlig...\par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Britiske kulturstudier som en gylden middelvei\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Hvilke andre svar kan finnes?\par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 En vestlig kanon?\par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 Undervurderer post-kolonialismen?\par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 Religionstudier?\par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 Teknologi?\par 
}\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Temaer/aspekter\par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Demokratiaspektet\par 
}\pard\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\hich\af1\dbch\af2\loch\f1 \par 
}\pard\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Maktaspektet\par 
}\pard\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\hich\af1\dbch\af2\loch\f1 \par 
}\pard\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Estetikk}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Demokratiaspektet;\par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 Hvem er kulturen for\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 Hvem skal ta det kollektive ansvaret}{\hich\af1\dbch\af2\loch\f1\fs28 \par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs24 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1\fs24 Et marked\par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs24 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1\fs24 Et samfunn\par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 En statlig kulturpolitikk?}{\hich\af1\dbch\af2\loch\f1\fs28 \par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs24 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1\fs24 Tilgang, tilgjengelighet\par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs24 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1\fs24 Riktig bruk; \par 
}\pard\plain\s4\li900\fi-180\loch\af1\hich\af1\dbch\f2\fs24\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs20 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs20\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs20 dannelse, pedagogikk, paternalisme \par 
}\s4\li900\fi-180\loch\af1\hich\af1\dbch\f2\fs24\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs20 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs20\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs20 aktiv/passiv\par 
}\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Definisjon 1\par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 Kultur som sivilisasjonens beste kunstneriske frembringelser\par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs24 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1\fs24 Kompleksitet, avanserthet\par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs24 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1\fs24 Vakker, forseggjort\par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs24 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1\fs24 Til \uc1\u229\'8c fordype seg i, bruke tid og krefter\par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs24 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1\fs24 Kunnskapskrevende\par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 En formidlingsoppgave og en bevaringsoppgave; kanon\par 
}\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Maktaspektet\par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 Kan kulturen brukes til noe?\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 Ha en politisk betydning?\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 Mistenksomhet overfor det popul\uc1\u230\'bere}{\hich\af1\dbch\af2\loch\f1\fs28 \par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs24 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1\fs24 Br\uc1\u248\'bfd og sirkus; avledning\par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs24 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1\fs24 Manipulasjon, l\uc1\u248\'bfgn\par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs24 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1\fs24 Skalkeskjul, et sl\uc1\u248\'bfr\par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs24 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1\fs24 Betydningsforskyvninger med sosiale virkninger}{\hich\af1\dbch\af2\loch\f1\fs24 \par 
}\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Definisjon 2\par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 Kultur som enhetlig ideologi;\par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs24 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1\fs24 Marx; de herskende tanker er de herskendes tanker\par 
}\pard\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs24 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1\fs24 Kulturen holder folk nede\par 
}\pard\plain\s4\li900\fi-180\loch\af1\hich\af1\dbch\f2\fs24\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs20 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs20\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs20 Dominans\par 
}\pard\s4\li900\fi-180\loch\af1\hich\af1\dbch\f2\fs24\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs20 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs20\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs20 Virker repressivt: Status quo\par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs24 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1\fs24 Det kommersielle som en dobbelt utbytting:\par 
}\pard\plain\s4\li900\fi-180\loch\af1\hich\af1\dbch\f2\fs24\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs20 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs20\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs20 F\uc1\u248\'bfrst som vare (konsum/profitt og fremmedgj\u248\'bfring)\par 
}\pard\s4\li900\fi-180\loch\af1\hich\af1\dbch\f2\fs24\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs20 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs20\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs20 S\uc1\u229\'8c som repressiv ideologi (hindrer klassebevissthet)}{\hich\af1\dbch\af2\loch\f1\fs20 \par 
}\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Det estetiske aspektet}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 Ensretting vs. Mangfold\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 Moral, l\uc1\u230\'bering vs underholdning, nytelse\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 Smaksdommer; kan vi enes?\par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs24 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1\fs24 Finnes det en grunnleggende fellesforst\uc1\u229\'8celse?\par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs24 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1\fs24 Er dette den popul\uc1\u230\'bere kulturen?}{\hich\af1\dbch\af2\loch\f1\fs24 \par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs24 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1\fs24 Den distanserte smak vs den engasjerte smak}{\hich\af1\dbch\af2\loch\f1\fs24 \par 
}\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Definisjon 3\par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 Kultur som noe folk er opptatt av og liker. Noe som er kollektivt erfart. Det som faktisk skaper glede, er til adspredelse og nytte blant folk (noen)\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 Kultur som identitetsskapende, bevisstgj\uc1\u248\'bfrende, meningsskapende\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 Kultur som noe positivt, noe menneskelig, kollektivt, konvensjonelt}{\hich\af1\dbch\af2\loch\f1\fs28 \par 
}\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Fiske/Willis/de Certeau/Lowell\par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Kulturen ikke enhetlig, selv om den er kommersiell\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Til glede heller enn besv\uc1\u230\'ber; maktaspektet ikke s\u229\'8c dominerende\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Aktiv og engasjert bruk blant folk flest\par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 Symbolic creativity (Paul Willis)}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Fiske; Kulturindustrienes \uc1\u248\'bfkonomiske felt\par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Ikke sammenfallende logikker med andre markeder og produksjonsfelt\par 
}\pard\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Fors\uc1\u248\'bfk p\u229\'8c hegemoni og dominans mislykkes, forbruket er mer variert og kreativt\par 
}\pard\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Teknologiens innvirkning: prototyper, standarder, innovativ bruk, dynamikk, uforutsigbarhet}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 The cultural popular vs political economy\par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Schudson, Garnham, McCuigan:\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 P\uc1\u229\'8cfallende lite interesse for hvordan kulturelle tekster blir produsert\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Tekststudier sammen med etnografiske studier ikke nok?}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Det kulturelle feltet\par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 N\uc1\u229\'8cr det er mangfold og frihet er det ogs\u229\'8c forskjeller}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\hich\af1\dbch\af2\loch\f1 \par 
}\pard\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Er det systematiske forskjeller?\par 
}\pard\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\hich\af1\dbch\af2\loch\f1 \par 
}\pard\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Hva er forholdet mellom sosiale forskjeller og kulturelle?}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Pierre Bourdieu \line (1930-2002)\par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Mest kjent for boken }{\i\hich\af1\dbch\af2\loch\f1 La distinction,}{\hich\af1\dbch\af2\loch\f1 (1979) - p\uc1\u229\'8c norsk Distinksjonen.\par 
}\pard\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 En sosial kritikk av d\uc1\u248\'bfmmekraften\par 
}\pard\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Utviklet en helhetlig sosiologisk teori og et empirisk forskningsprogram for analyse av kultur og samfunn}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Bourdieus teori og metode\par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 Korrespondanse-analyse (kvantitativ teknikk) i kombinasjon med andre metoder\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 Man m\uc1\u229\'8c forst\u229\'8c/kartlegge }{\i\hich\af1\dbch\af2\loch\f1\fs28 hele}{\hich\af1\dbch\af2\loch\f1\fs28  feltet\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 Felt-teorien\par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs24 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1\fs24 Poler\par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs24 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1\fs24 Kapitalformer, logikker\par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs24 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1\fs24 Posisjoner, relasjoner, distinksjoner\par 
}\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 An economy of cultural goods...\par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Det er en fordeling... Verdien varierer\par 
}\pard\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Sosiale betingelser for hvordan }{\hich\af1\dbch\af2\loch\f1 \uc1\u8221\'d3}{\hich\af1\dbch\af2\loch\f1 the mode of appropriation that is considered legitimate}{\hich\af1\dbch\af2\loch\f1 \uc1\u8221\'d3}{\hich\af1\dbch\af2\loch\f1  er konstituert.\par 
}\pard\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Korrespondanse mellom hierarkiet av kunstarter, genrer, skoler, osv. og hierarkiet av sosiale klasser}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Pure vs. popular...\par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Den }{\hich\af1\dbch\af2\loch\f1 \uc1\u8221\'d3}{\hich\af1\dbch\af2\loch\f1 rene}{\hich\af1\dbch\af2\loch\f1 \uc1\u8221\'d3}{\hich\af1\dbch\af2\loch\f1  kunstneriske intensjon\par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 Den autonome kunsteren som reproduserer verdiene i feltet vs den naive, den utenforst\uc1\u229\'8cende, som ikke kjenner kodene\par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Det rene blikket (gaze)\par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 Det distanserte, interessel\uc1\u248\'bfse blikket\par 
}\pard\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 Vs det naive, som tar det bokstavelig, moralsk forargelig}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 En kritikk av Kant}{\hich\af1\dbch\af2\loch\f1 \uc1\u8217\'d5}{\hich\af1\dbch\af2\loch\f1 s estetiske teori\par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 Den naturlig gode smak finnes ikke, all smak er i utgangspunktet tilfeldig (arbitr\uc1\u230\'ber)\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 N\uc1\u229\'8cr den likevel dukker opp, er det som en historisk konstituert smak innenfor et p\u229\'8c forh\u229\'8cnd strukturert, sosialt felt\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 Smaksdommer virker dermed ogs\uc1\u229\'8c strukturerende (forsterkende) i henhold til feltets eksisterende strukturer}{\hich\af1\dbch\af2\loch\f1\fs28 \par 
}\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Anerkjennelse, legitimitet og makt (kunstens regler)}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 Anerkjennelse av at det finnes en god smak og at noen har tilgang til \uc1\u229\'8c definere den gode smaken \par 
}\pard\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 Anerkjennelse av at noen har den naturlige kjennskap, rett til \uc1\u229\'8c uttale seg, kompetanse, legitimitet, distanserthet\par 
}\pard\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 Anerkjennelse av egen underlegenhet\par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs24 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1\fs24 Opplevelse av mangel, kunnskapsbehov\par 
}\pard\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs24 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1\fs24 Mangel p\uc1\u229\'8c distanse\par 
}\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Den kulturelle maktens sosiale grunnlag\par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 Kunnskap og kompetanse (kulturell kapital) er ulikt fordelt i det sosiale feltet\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 Den kulturelle kapitalens fordeling f\uc1\u248\'bflger den \u248\'bfkonomiske\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 Men; det finnes autonome felt (f.eks kunsten), hvor den kulturelle (feltspesifike) kapitalen f\uc1\u229\'8cr dominere under visse betingelser}{\hich\af1\dbch\af2\loch\f1\fs28 \par 
}\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Paul DiMaggio; et historisk perspektiv\par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 Hva skjer i Boston p\uc1\u229\'8c 1800-tallet?\par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs24 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1\fs24 Urbanisering, befolkningsfortetting\par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs24 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1\fs24 Industriell produksjon av kulturelle produkter\par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 Fra livlige folkefester og blandete festivaler, markeder\par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1\fs28 Til institusjoner for bevaring, fremf\uc1\u248\'bfring, profesjonalisering av de fine kunstene}{\hich\af1\dbch\af2\loch\f1\fs28 \par 
}\pard\plain\s1\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Hall, Bourdieu, DiMaggio\par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Konflikt og kamp mellom sosiale skikt og grupper\par 
}\pard\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Kulturstudier og sosiologi h\uc1\u248\'bfrer sammen\par 
}\pard\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Studiet av popul\uc1\u230\'berkultur m\u229\'8c v\u230\'bere kritisk; opptatt av \u229\'8c p\u229\'8cvise maktrelasjoner, hvordan kult}{\hich\af1\dbch\af2\loch\f1 uren }{\i\hich\af1\dbch\af2\loch\f1 virker}{\hich\af1\dbch\af2\loch\f1  i samfunnet}{\hich\af1\dbch\af2\loch\f1 \par 
}
}