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{\s1\qc\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044\level1 heading 1;}
{\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044\level2 heading 2;}
{\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044\level3 heading 3;}
{\s4\li900\fi-180\loch\af1\hich\af1\dbch\f2\fs24\ppscheme-1\lang1044\level4 heading 4;}
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{\s6\li1620\fi-180\loch\af1\hich\af1\dbch\f2\fs20\ppscheme-1\lang1044\level6 heading 6;}
}
\pard\plain\s1\qc\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Feministisk teori og analyse av popul}{\hich\af1\dbch\af2\loch\f1 \uc1\u230\'be}{\hich\af1\dbch\af2\loch\f1 rkultur}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Tore Slaatta}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Mevit 2110-v}{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1 r 2007}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\qc\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Tekstene som blir kommentert;}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Alle tekstene i Part Four, Reader}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Spesielt;}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 Radway; Reading the Romance (1986)}{\hich\af1\dbch\af2\loch\f1 \par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 Butler; Imitation and Gender Insubordination (1992)}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Anbefaling: Lisbeth van Zoonen; Feminist Media Studies (1994)}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Norske alternativer: Irene Iversen (red)}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 Feministisk litteraturteori (Pax 2002)}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\qc\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 En alternativ kanon}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Lana F. Rakows kritikk av popul}{\hich\af1\dbch\af2\loch\f1 \uc1\u230\'be}{\hich\af1\dbch\af2\loch\f1 rkulturens klassiske kanon}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 De oversette tekstene}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 Charlotte Perkins Gilman:}{\i\hich\af1\dbch\af2\loch\f1 The man-made world }{\hich\af1\dbch\af2\loch\f1 (1911)}{\hich\af1\dbch\af2\loch\f1 \par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 Beatrice Forbes-Robertson Hale: What women want: An interpretation of the feminist movement (1914)}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\qc\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 De grunnleggende premissene}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Kvinners relasjoner til det popul}{\hich\af1\dbch\af2\loch\f1 \uc1\u230\'be}{\hich\af1\dbch\af2\loch\f1 re og popul}{\hich\af1\dbch\af2\loch\f1 \uc1\u230\'be}{\hich\af1\dbch\af2\loch\f1 rkulturen er grunnleggende annerledes enn menns}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 De inng}{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1 r i menns fantasier, blikk og dr}{\hich\af1\dbch\af2\loch\f1 \uc1\u248\'bf}{\hich\af1\dbch\af2\loch\f1 mmer, og innskrives p}{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1  menns vilk}{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1 r i popul}{\hich\af1\dbch\af2\loch\f1 \uc1\u230\'be}{\hich\af1\dbch\af2\loch\f1 rkulturen}{\hich\af1\dbch\af2\loch\f1 \par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 De f}{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1 r en fundamentalt annen opplevelse av }{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1  se, lese og oppleve popul}{\hich\af1\dbch\af2\loch\f1 \uc1\u230\'be}{\hich\af1\dbch\af2\loch\f1 rkultur, enn menn}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 \uc1\u197\'81}{\hich\af1\dbch\af2\loch\f1  analysere }{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1  forst}{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1  dette er en del av en feministisk frigj}{\hich\af1\dbch\af2\loch\f1 \uc1\u248\'bf}{\hich\af1\dbch\af2\loch\f1 rings- og bevisstgj}{\hich\af1\dbch\af2\loch\f1 \uc1\u248\'bf}{\hich\af1\dbch\af2\loch\f1 rings-prosess}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\qc\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 1970-tallet som en ny bevisstgj}{\hich\af1\dbch\af2\loch\f1 \uc1\u248\'bf}{\hich\af1\dbch\af2\loch\f1 ringstid}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Simone de Beauvoir: Det annet kj}{\hich\af1\dbch\af2\loch\f1 \uc1\u248\'bf}{\hich\af1\dbch\af2\loch\f1 nn, skrevet allerede i 1949}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Studentoppr}{\hich\af1\dbch\af2\loch\f1 \uc1\u248\'bf}{\hich\af1\dbch\af2\loch\f1 r og seksuell frigj}{\hich\af1\dbch\af2\loch\f1 \uc1\u248\'bf}{\hich\af1\dbch\af2\loch\f1 ring p}{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1  1960- og 70-tallet}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Post-strukturalismens }{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1 pning for leserens rolle, semiotikk, Barthes, Eco, }{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Psykoanalytisk teori identifiserer subjektposisjoner, interpellasjon, diskursiv makt }{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\qc\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Mainstream social science communication research...}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Journal of communication, 1974}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Tuchman, Daniels, Benet (1978): }{\i\hich\af1\dbch\af2\loch\f1 Hearth and Home: Images of women in the mass media}{\i\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Noreene Janus (1977), Elizabeth Cowie (1977), Griselda Pollock (1977), Gaye Tuchman (1979), Rosalind Coward (1982)}{\i\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\qc\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Film studies}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Laura Mulvey (1975) }{\hich\af1\dbch\af2\loch\f1 \uc1\u8221\'d3}{\hich\af1\dbch\af2\loch\f1 Visual pleasure and narrative cinema}{\hich\af1\dbch\af2\loch\f1 \uc1\u8221\'d3}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 E. Ann Kaplan (1983) }{\i\hich\af1\dbch\af2\loch\f1 Women and Film: Both sides of the camera}{\i\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Janet Walker (1984) }{\hich\af1\dbch\af2\loch\f1 \uc1\u8221\'d3}{\hich\af1\dbch\af2\loch\f1 The Problem of sexual difference and identity}{\hich\af1\dbch\af2\loch\f1 \uc1\u8221\'d3}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\qc\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Cultural studies...}{\hich\af1\dbch\af2\loch\f1 \line }{\hich\af1\dbch\af2\loch\f1 (Lisbet van Zoonen)}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 The return of the repressed, Stuart Hall}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Ikke bare en spr}{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1 klig vending, men ogs}{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1  en pluralistik, entografisk, fortolkende vending}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Empirisk heller enn teoretisk basert}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Resepsjonsstudier, kvalitative bruksstudier}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\qc\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Rakows inndeling av }{\hich\af1\dbch\af2\loch\f1 \uc1\u8221\'d3}{\hich\af1\dbch\af2\loch\f1 approaches}{\hich\af1\dbch\af2\loch\f1 \uc1\u8221\'d3}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Images and Representations}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Recovery and Reappraisal}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Reception and Experience}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Cultural theory}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\qc\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Ian Ang}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Watching Dallas (1985)}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 brevskrivernes refleksjoner og (for)dommer}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 De ulike gruppene}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 haters}{\hich\af1\dbch\af2\loch\f1 \par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 ironic lovers}{\hich\af1\dbch\af2\loch\f1 \par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 true lovers}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 populisme og massekultur-ideologien}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 alle avspeiler det samme verdihierarkiet}{\hich\af1\dbch\af2\loch\f1 \par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 \uc1\u8221\'d3}{\hich\af1\dbch\af2\loch\f1 ekte glede}{\hich\af1\dbch\af2\loch\f1 \uc1\u8221\'d3}{\hich\af1\dbch\af2\loch\f1  har d}{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1 rlige k}{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1 r i popul}{\hich\af1\dbch\af2\loch\f1 \uc1\u230\'be}{\hich\af1\dbch\af2\loch\f1 rkulturen}{\hich\af1\dbch\af2\loch\f1 \par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 medieteori bidrar til dette hegemoniet}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\qc\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Janice Radway}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Reading the Romance (1986)}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 skrevet innenfor American literary studies, inspirert av }{\hich\af1\dbch\af2\loch\f1 \uc1\u8221\'d3}{\hich\af1\dbch\af2\loch\f1 etnographic turn}{\hich\af1\dbch\af2\loch\f1 \uc1\u8221\'d3}{\hich\af1\dbch\af2\loch\f1  i USA}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 kvalitative metoder}{\hich\af1\dbch\af2\loch\f1 \par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 resepsjonsanalyse, ikke tekstanalyse}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 den mellommenneskelige, sosiale kontekst}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 sosial interaksjon, samhandling}{\hich\af1\dbch\af2\loch\f1 \par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 identitet, fellesskap, forst}{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1 elser}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\qc\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Hva handler det om? Hvorfor blir dette en }{\hich\af1\dbch\af2\loch\f1 \uc1\u8221\'d3}{\hich\af1\dbch\af2\loch\f1 klassiker}{\hich\af1\dbch\af2\loch\f1 \uc1\u8221\'d3}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Fagkritikk: grenser for hva teksten kan b}{\hich\af1\dbch\af2\loch\f1 \uc1\u230\'be}{\hich\af1\dbch\af2\loch\f1 re av ansvar for meningsskaping}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 nykritikken i USA}{\hich\af1\dbch\af2\loch\f1 \par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 impulser fra poststrukturalismen?}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Hva betyr en tekst, en bok, en film i en historisk og kulturell sammenheng}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 interpretation, interpretitive communities (Stanley Fish; is there a poem in this class?)}{\hich\af1\dbch\af2\loch\f1 \par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 reading; event; the social practice of reading}{\hich\af1\dbch\af2\loch\f1 \par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 lesning er en sosial hendelse, praksis, osv..}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\qc\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 teoretiske begreper og forskningsambisjoner:}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 fortolkningsfellesskap, men i tillegg;}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 sosialt situert; }{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 sted (location)}{\hich\af1\dbch\af2\loch\f1 \par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 tid (process of interpretation)}{\hich\af1\dbch\af2\loch\f1 \par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 sosial plassering (social location)}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 lesning som sosial omgangsform;}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 begj}{\hich\af1\dbch\af2\loch\f1 \uc1\u230\'be}{\hich\af1\dbch\af2\loch\f1 r, drift}{\hich\af1\dbch\af2\loch\f1 \par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 refleksivitet, evaluering (h}{\hich\af1\dbch\af2\loch\f1 \uc1\u248\'bf}{\hich\af1\dbch\af2\loch\f1 y/lav)}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\qc\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 lesing og leserkultur}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 er sjangeren (f.eks romansen eller kvinne-krimen (Yvonne Tasker) tilpasset kulturen p}{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1  bestemte m}{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1 ter?}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 b}{\hich\af1\dbch\af2\loch\f1 \uc1\u248\'bf}{\hich\af1\dbch\af2\loch\f1 r det at kvinner har glede av disse sjangrene ses som positiv eller negativ i forhold til et feministisk prosjekt?}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 f}{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1 r lesning av disse sjangere bestemte virkninger for kvinners identitet, seksuelle frigj}{\hich\af1\dbch\af2\loch\f1 \uc1\u248\'bf}{\hich\af1\dbch\af2\loch\f1 ring, posisjon og makt?}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\qc\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 specific audiences, specific reponses}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Encoding/decoding (Stuart Hall)}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 produksjon, tekst, resepsjon}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 3 hovedmodeller for respons/resepsjon:}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 dominant (tradisjonell, motstandsl}{\hich\af1\dbch\af2\loch\f1 \uc1\u248\'bf}{\hich\af1\dbch\af2\loch\f1 s)}{\hich\af1\dbch\af2\loch\f1 \par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 negotiational (bearbeidende)}{\hich\af1\dbch\af2\loch\f1 \par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 oppositional (aktiv motstand)}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 resepsjonsfokus: ulike gruppers ressurser, kunnskap, fortolkningsrepertoir, frihet, glede}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\qc\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Articulation (fra Laclao)}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 diskursive brudd, kriser som blir kreative }{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1 pninger for fortolkning}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Bobo: det som bryter, st}{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1 r ut, skaper fortstyrrelser kan }{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1 pne for mer motstandsrike tolkninger}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Sjangeren blir positivt tatt i bruk, blir frigj}{\hich\af1\dbch\af2\loch\f1 \uc1\u248\'bf}{\hich\af1\dbch\af2\loch\f1 rende for svarte kvinner og svart kultur i en hvit popul}{\hich\af1\dbch\af2\loch\f1 \uc1\u230\'be}{\hich\af1\dbch\af2\loch\f1 rkultur}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\qc\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Romanser, krim, film og s}{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1 pe}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Kan de sammenlignes mht. feministiske perspektiver}{\hich\af1\dbch\af2\loch\f1 ?}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 ut fra Taskers tanker om crime writing?}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 sjangerens begrensninger og paradokser}{\hich\af1\dbch\af2\loch\f1 \par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 den kvinnelige hovedrollen/protagonisten}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 ut fra Geraghtys (Dyers) kategorier?}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 Energy, Abundance, Intensity, Transparency, Community}{\hich\af1\dbch\af2\loch\f1 \par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 noen eksempler? Frustrerte fruer, Forbrytelsen, Hunter, Ugly Betty, Kill Bill.... }{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\qc\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 \uc1\u8221\'d3}{\hich\af1\dbch\af2\loch\f1 French theory}{\hich\af1\dbch\af2\loch\f1 \uc1\u8221\'d3}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Post-strukturalistisk, feministisk teori}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 Julia Kristeva}{\hich\af1\dbch\af2\loch\f1 \par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 H}{\hich\af1\dbch\af2\loch\f1 \uc1\u233\'8e}{\hich\af1\dbch\af2\loch\f1 l}{\hich\af1\dbch\af2\loch\f1 \uc1\u232\'8f}{\hich\af1\dbch\af2\loch\f1 ne Cixous}{\hich\af1\dbch\af2\loch\f1 \par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 Luce Irigaray}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Strukturalistisk ideologikritikk (Lacan, Althusser, Barthes)}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Differance, opposisjoner som betinger hverandre, dominans.}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Sosial konstruksjon av sosialt og biologisk kj}{\hich\af1\dbch\af2\loch\f1 \uc1\u248\'bf}{\hich\af1\dbch\af2\loch\f1 nn}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\qc\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Det biologiske og }{\hich\af1\dbch\af2\loch\f1 \line }{\hich\af1\dbch\af2\loch\f1 det sosiale kj}{\hich\af1\dbch\af2\loch\f1 \uc1\u248\'bf}{\hich\af1\dbch\af2\loch\f1 nnet}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Kj}{\hich\af1\dbch\af2\loch\f1 \uc1\u248\'bf}{\hich\af1\dbch\af2\loch\f1 nnsidentitet som konstruert, historisk situert}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Judith Butler: Ogs}{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1  det biologiske kj}{\hich\af1\dbch\af2\loch\f1 \uc1\u248\'bf}{\hich\af1\dbch\af2\loch\f1 nnet er konstruert}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Fungerer ideologisk, gjennom praksis, gjennom naturliggj}{\hich\af1\dbch\af2\loch\f1 \uc1\u248\'bf}{\hich\af1\dbch\af2\loch\f1 ring (Bourdieu)}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\qc\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Judith Butler: Imitation and gender insubordination}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1  st}{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1  frem som lesbisk/homofil; hva inneb}{\hich\af1\dbch\af2\loch\f1 \uc1\u230\'be}{\hich\af1\dbch\af2\loch\f1 rer det, hva tjener en feministisk sak?}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 kategoriene ikke bare ustabile, men konstituerende, gjensidig bekreftene}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Alt kj}{\hich\af1\dbch\af2\loch\f1 \uc1\u248\'bf}{\hich\af1\dbch\af2\loch\f1 nn er }{\hich\af1\dbch\af2\loch\f1 \uc1\u8221\'d3}{\hich\af1\dbch\af2\loch\f1 drag}{\hich\af1\dbch\af2\loch\f1 \uc1\u8221\'d3}{\hich\af1\dbch\af2\loch\f1 , men drag og camp er samtidig problematiske praksiser}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\qc\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 psychic mimesis: }{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Identifikasjon og/eller begj}{\hich\af1\dbch\af2\loch\f1 \uc1\u230\'be}{\hich\af1\dbch\af2\loch\f1 r overfor kj}{\hich\af1\dbch\af2\loch\f1 \uc1\u230\'be}{\hich\af1\dbch\af2\loch\f1 rlighetsobjekter}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 alternativ: wanting to be/wanting to have}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 mer midlertidige, mindre essensielle kategorier som }{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1 pner for refleksivitet og spill?}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Unslippe tvangen i }{\hich\af1\dbch\af2\loch\f1 \uc1\u8221\'d3}{\hich\af1\dbch\af2\loch\f1 compulsory performance}{\hich\af1\dbch\af2\loch\f1 \uc1\u8221\'d3}{\hich\af1\dbch\af2\loch\f1 \par 
}\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 \uc1\u8221\'d3}{\hich\af1\dbch\af2\loch\f1 working sexuality }{\i\hich\af1\dbch\af2\loch\f1 against}{\hich\af1\dbch\af2\loch\f1  identity... letting that which cannot fully appear in any performance persist in its disruptive promise.}{\hich\af1\dbch\af2\loch\f1 \uc1\u8221\'d3}{\hich\af1\dbch\af2\loch\f1  }{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s1\qc\loch\af1\hich\af1\dbch\f2\fs44\ppscheme-3\lang1044 {\hich\af1\dbch\af2\loch\f1 Toril Mois kritikk:}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s2\li270\fi-270\loch\af1\hich\af1\dbch\f2\fs32\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs32 \uc1\u8226\'a5\tab}{\*\pn\pnlvlblt\pnf1\pnfs32\pnscheme-1{\pntxtb \uc1\u8226\'a5}}{\hich\af1\dbch\af2\loch\f1 Hva er en kvinne? Kj}{\hich\af1\dbch\af2\loch\f1 \uc1\u248\'bf}{\hich\af1\dbch\af2\loch\f1 nn og kropp i feministisk teori (1998)}{\hich\af1\dbch\af2\loch\f1 \par 
}\pard\plain\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 Det sosiale og det biologiske b}{\hich\af1\dbch\af2\loch\f1 \uc1\u248\'bf}{\hich\af1\dbch\af2\loch\f1 r ikke v}{\hich\af1\dbch\af2\loch\f1 \uc1\u230\'be}{\hich\af1\dbch\af2\loch\f1 re den bin}{\hich\af1\dbch\af2\loch\f1 \uc1\u230\'be}{\hich\af1\dbch\af2\loch\f1 re, strukturelle motsetningen i feminstisk kritikk}{\hich\af1\dbch\af2\loch\f1 \par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 Butlers fremstilling av opposisjonen skaper likevel en essensiell forst}{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1 else av biologisk kj}{\hich\af1\dbch\af2\loch\f1 \uc1\u248\'bf}{\hich\af1\dbch\af2\loch\f1 nn}{\hich\af1\dbch\af2\loch\f1 \par 
}\s3\li585\fi-225\loch\af1\hich\af1\dbch\f2\fs28\ppscheme-1\lang1044 {\pntext\pard\hich\af1\dbch\af2\loch\f1\fs28 \uc1\u8211\'d0\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \uc1\u8211\'d0}}{\hich\af1\dbch\af2\loch\f1 Bedre }{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1  ta utgangspunkt i pragmatisk teori, hverdagsforst}{\hich\af1\dbch\af2\loch\f1 \uc1\u229\'8c}{\hich\af1\dbch\af2\loch\f1 elser, Cavell, Wittgenstein, Bourdieu}{\hich\af1\dbch\af2\loch\f1 \par 
}
}