B?ker
Bang, Tor og Mona Solvoll (2014): Medie?konomi: Konflikt og samspill. Oslo: Cappelen Damm (176 sider).
Osterwalder, Alexander og Yves Pigneur (2010): Business Model Generation. Hoboken: John Wiley & Sons (280 sider). Denne boken har ogs? kommet i norsk utgave som godt kan brukes.
Nettbaserte artikler
Barland, Jens (2016): Innholdsmarkedsf?ring – trend, konsept
og kontekst. I Innholdsmarkedsf?ring. Konsept, forretningsmodeller, juss, etikk og praksis, Jens Barland (red.). Oslo: Cappelen Damm Akademisk, 13-52. Lenke
Krokan, Arne (2016): Innholdsmarkedsf?ring og forretningsmodeller. I Innholdsmarkedsf?ring. Konsept, forretningsmodeller, juss, etikk og praksis, Jens Barland (red.). Oslo: Cappelen Damm Akademisk, 53-97. Lenke
Bang, Tor (2016): Innholdsmarkedsf?ring i praksis. I Innholdsmarkedsf?ring. Konsept, forretningsmodeller, juss, etikk og praksis, Jens Barland (red.). Oslo: Cappelen Damm Akademisk, 205-246. Lenke
Gran, Anne-Britt, ?yvind Torp og Marcus Gjems Theie (2016): Kreativ n?ring i Norge 2008–2014, 1-93 Lenke
Wikstr?m, Patrik (2012): A Typology of Music Distribution Models, International Journal of Music Business Research 1(1), 7-20. Lenke
Kjus, Yngvar (2016). Reclaiming the Music: The Power of Local and Physical Music Distribution in the Age of Global Online Services. New Media & Society, 2116-2132. Lenke
Maas?, Arnt (2016). Music Streaming, Festivals, and the Eventization of Music . Popular Music and Society, 1-22. Lenke
Colbj?rnsen, Terje (2014): The Construction of a Bestseller: Theoretical and Empirical Approaches to the Case of of the Fifty Shades trilogy as an Ebook Bestseller. Media, Culture & Society 36(8), 1100-1117. Lenke
Colbj?rnsen, Terje (2015) What is the VAT? The Policies and Practices of Value Added Tax on Ebooks in Europe, International Journal of Cultural Policy, 21:3, 326-343. Lenke
Sundet, Vilde Schanke (2016): "Still 'Desperately seeking the audience'? Audience making in the age of media convergence (the Lilyhammer experience)", Northern Lights, vol. 14:1; 11-27. Lenke
Kjus, Yngvar (in press): Harmonious or out of Tune? Cooperation Between the Television Indystry and the Music Business in Talent Contests of the 2000s. Media, Culture & Society. (Legges i Fronter)