TRE SKJ?NNLITTER?RE VERK:
Jane Austen, Mansfield Park, ed Kathryn Sutherland, with original Introduction by Tony Tanner, Penguin Classics 2003.
William Wordsworth, Book 1, 2, 6 (1805-utgaven): i The Prelude. 1799, 1805, 1850. Authoritative Texts, Context and Reception, ed. J. Wordsworth/MH. Abrams/S.Gill (Norton Critical Editions 1979)
Jean-Jacques Rousseau, Confessions, 1-5 (f?rste del), ed. P.Coleman, Oxford World’s Classics, 2008.
KORTTEKSTER:
Heinrich von Kleist, "The Beggarwoman of Locarno" og "The Earthquake in Chile", begge i Kleist: The Marquise of O – And Other Stories, ed. David Luke, Nigel Reeves, Penguin Classics (ca 30 sider.)
Ludwig Tieck, "Eckbert the Fair", og Clemens Brentano: "The Tale of Honest Casper and Fair Annie", begge i Romantic Fairy Tales. Goethe, Tieck, Fouque, and Brentano, ed. Carol Tully, Penguin Classics (ca 50 sider)
E.T.A. Hoffmann: "The Sandman", i Hoffmann: Tales of Hoffmann, ed. Hollingdale, Penguin Classics (ca 30 sider)
Francois René de Chateaubriand: René, i Chateaubriand: Atala, René, Oneworld classics 2010, trans. Rayner Heppenstall (ca 20 sider)
Nathaniel Hawthorne: "The Minister's Black Veil" og "Wakefield", i Hawthorne: Selected Tales and Sketches, Penguin Classics (30 sider)
LITTERATURHISTORIOGRAFISK REFLEKSJON (ikke pensum, men anbefalt):
Ernst Behler, German Romantic Literary Theory, Cambridge University Press 2005.
LITTERATURHISTORIE
Jon Haarberg, Tone Selboe, Hans Erik Aarset: Verdenslitteratur. Den vestlige tradisjonen, Oslo, Universitetsforlaget 2007, s. 343-379.
I KOMPENDIUM:
Et utvalg dikt, korttekster og sekund?rlitteratur (ca 300 sider.)
Dikt: H?lderlin: ”Brot und Wein”; Wordsworth: “The Old Cumberland Beggar” og Resolution and Independence”; Keats: “Ode on a Nightingale”; Eichendorff: ”Wünschelrute”, Brentano; “Loreley”, (Novalis: “Hymner til Natten”)
Korttekster og sekund?rlitteratur:Novalis, “Monolog” ; Friedrich Schlegel: ”Om det uforst?elige” ; Johann Peter Hebel: korttekster; Werner Hamacher: “Das Beben der Darstellung” (engelsk oversettelse); Paul de Man: “The Intentional Structure of the Romantic Image”; Sigmund Freud: “The Uncanny.”