- Shakespeare, King Lear; Film: Grigori Kozintsev, King Lear (1971); Akira Kurosawa, Ran (1985)
- Jane Austen, Sense and Sensibility (1811); Film: Ang Lee, Sense and Sensibility (1996); BBC-John Alexander, Sense and Sensibility (2008)
- Charlotte Brontë, Jane Eyre (1847); Film: Franco Zeffirelli, Jane Eyre (1996); Cary Fukunaga, Jane Eyre (2011)
- Charles Dickens, Great Expectations (1861); Film: Great Expectations, David Lean, 1946; Mike Newell, Great Expectations (2012)
- Peter George, Red Alert (1958); Film: Stanley Kubrick, Dr. Strangelove (1964)
- John Fowles, The French Lieutenant’s Woman (1969); Film: Karel Reisz, The French Lieutenant’s Woman (1981)
Editions: Shakespeare: New Cambridge edition; Austen, Brontë, Dickens: Norton Critical Edition; Peter George: Black Mask publishing (2008); John Fowles: Vintage Classics (2004).
Narrativ teori og adaptasjonsteori:
- Jakob Lothe: Narrative in Fiction and Film: An Introduction, 2000. Oxford: Oxford University Press. Del I og kapittel 7 og 8 i del II.
- Grigorij Kozintsev, King Lear: The Space of Tragedy (Berkeley: University of California Press, 1977)
- Rick Altman, Chapter 2: "What is generally understood by the notion of Film genre" in Film/Genre (London: BFI, 1999)
Artikler samlet i kompendium 'ENG2326 Fiction and Film' (fås kjøpt på Kopiutsalget, Akademika):
- Boris Eikhenbaum, 'Literature and Cinema' [1926], in Russian Formalism, ed. Stephen Bann and John Bowlt (Edinburgh: Edinburgh University Press, 1973), 122-27.
- Dudley Andrew, 'Adaptation', in Film Theory and Criticism, fifth edn., ed. Leo Braudy and Marshall Cohen (Oxford: Oxford University Press, 1999), 452-60.
- Robert Scholes, 'Narration and Narrativity in Film', in Film Theory and Criticism, third edn., ed. Gerald Mast and Marshall Cohen (Oxford: Oxford University Press, 1985), 390-403.
- Julian North, 'Sense and Sensibility from text to screen', in Adaptations: From Text to Screen, Screen to Text (London: Routledge, 1999), 38-50.