Primary Texts:
Go Tell It On the Mountain (1953, Penguin Modern Classics, 272 s.) Giovanni’s Room (1956, Penguin Modern Classics, 159 s.) Another Country (1962, Penguin Modern Classics, 448 s.) Going to Meet the Man (1965, Penguin Twentieth-Century Classics, utvalgte sider) If Beale Street Could Talk (1974, Penguin Twentieth-Century Classics, 240 s.)
Secondary Reading:
Shlomith Rimmon-Kenan, Narrative Fiction: Contemporary Poetics (2nd ed.; London: Routledge, 2002).
In compendium available at Unipub/Akademika: ? Robert J. Corber, “Everybody Knew His Name: Reassessing James Baldwin,” Contemporary Literature 42 (2001): 166-75. ? James A. Dievler, “Sexual Exiles: James Baldwin and Another Country,” in James Baldwin Now, ed. Dwight A McBride (New York and London: New York UP, 1999), pp. 161-83. ? Stefanie Dunning, “Parallel Perversions: Interracial and Same Sexuality in James Baldwin’s Another Country,” MELUS 26 (2001): 95-112. ? Mae G. Henderson, “James Baldwin: Expatriation, Homosexual Panic, and Man’s Estate,” Callaloo 23 (2000): 313-27. ? Marlin B. Ross, “White Fantasies of Desire: Baldwin and the Racial Identities of Sexuality,” in James Baldwin Now, ed. Dwight A McBride (New York and London: New York UP, 1999), pp. 13-55. ? Lynn Orilla Scott, Ch. 1—“Baldwin’s Reception and the Challenge of His Legacy,” in Witness to the Journey: James Baldwin’s Later Fiction (East Lansing, MI: Michigan State UP, 2002), pp. 2-18. ? Claude J. Summers, Ch. 8—“‘Looking at the Naked Sun’: James Baldwin’s Giovanni’s Room,” in Gay Fictions: Wilde to Stonewall—Studies in a Male Homosexual Literary Tradition (New York: Continuum, 1990), pp. 172-94.