Book:
- The Norton Anthology of English Literature, Volume 2 (Norton, 2012, 9th edition)
Texts:
- John Carey, extract from The Intellectuals and the Masses**
- Ezra Pound and F. S. Flint, “Imagisme”*
- Ezra Pound, “A Few Don’ts by an Imagiste”*; “Vortex”**; “In A Station of The Metro”*;
- “The Seafarer”**; “Canto I”**; “Blast!" Manifesto*; “Long Live the Vortex”*
- T. E. Hulme, extract from “Romanticism and Classicism”*
- F. T. Marinetti, “The Founding and the Manifesto of Futurism”**; “Technical Manifesto of Futurist Literature”**
- Mina Loy, “Aphorisms on Futurism”**; “Feminist Manifesto”*
- T. S. Eliot, “The Love Song of J. Alfred Prufrock”*; “The Waste Land”*; “Tradition and the Individual Talent”*
- James Joyce, “Lestrygonians” and “Nausicaa” from Ulysses**
- T. S. Eliot, “Ulysses, Order, and Myth”**
- Virginia Woolf, “Modern Fiction”*; extract from A Room of One’s Own*; extract from Mrs Dalloway*
- Wallace Stevens, “The Poems of Our Climate”**; “Thirteen Ways of Looking at a Blackbird”**
- H. D., “Eurydice”**
- W. B. Yeats, “The Fisherman”**; “Sailing to Byzantium”*; “No Second Troy”* “Easter, 1916”*; “Leda and the Swan”*; “The Second Coming”*; “Byzantium”*; “A Man Young and Old”**; “The Circus Animals’ Desertion”*; “Man and the Echo”*; Extracts from A Vision**
- D. H. Lawrence, “Odour of Chrysanthemums”*
- F. Scott Fitzgerald, “Winter Dreams”**
- E. M. Forster, “The Machine Stops”**
- Samuel Beckett, Waiting for Godot*
- Langston Hughes, “The Negro Artist and the Racial Mountain”**; “The Negro Speaks of Rivers”
- Alain Locke, “Enter the New Negro”**
- Jean Toomer, extracts from Cane**
- Fredric Jameson, “Modernism and Imperialism”**
- George Orwell, “Shooting an Elephant”*
- W. H. Auden, “September 1, 1939”*; “In Praise of Limestone”*; “In Memory of W. B. Yeats”*
- Theodor Adorno, “Theses Against Occultism” from Minima Moralia**
* Readings from the Norton Anthology of English Literature (9th edition), Vol. 2
** Readings provided in electronic format via Canvas