Films:
Alfredson, Thomas: Let the Right One in (La den rette komme inn, 2007)
Andersson, Roy: A Pigeon Sat on a Branch Reflecting on Existence (En duva satt p? en gren och funderade p? tillvaron, 2014)
Bier, Susanne: In a Better World (H?vnen, 2010)
Gaup, Nils: The Kautokeino Rebellion (Kautokeino-oppr?ret, 2008)
Haugerud, Dag Johan: I belong (Som du ser meg, 2012)
Haq, Iram: I am yours (Jeg er din, 2013)
Lindholm, Tobias: A War (Krigen, 2014)
Sewitsky, Anne: Homesick (De n?rmeste, 2015)
Sve Flikke, Yngvild: Kvinner i for store herreskjorter (2015)
?vredal, Andre: Trollhunter (Trolljegeren, 2010)
?stlund, Ruben: Force Majeure (Turist, 2014)
Von Trier, Lars: Antichrist (2009)
Articles in the course reader (kompendium):
Hjort, Mette. “From Epiphanic Culture to Circulation: The Dynamics of Globalization in Nordic Cinema”. In: Andrew Nestingen and Trevor G. Elkington (eds.): Transnational Cinema in a Global North, Nordic Cinema in Transition. Detroit: Wayne State University Press 2005: 191-218.
Iversen, Gunnar “Between Art and Genre – An Introduction to New Nordic Horror Cinema,” in Mette Hjort and Ursula Lindqvist (eds.) The Blackwell Companion to Nordic Cinema, Oxford: Wiley-Blackwell, 2016; 332-350.
Mecsei, Monica Kim: “Cultural Stereotypes and Negotiations in Sámi Cinema”. Scott MacKenzie, Anna Westerst?hl Stenport (eds.): Films on Ice. Cinemas of the Arctic. Edinburgh: Edinburgh University Press 2015, 72-83.
Mulvey, Laura ”Visual Pleasure and Narrative Cinema”, Screen 1975 (16), p 6-18.
Lindquist, Ursula ”The art of not telling stories in Nordic fiction films” in Mette Hjort and Ursula Lindqvist (eds.) The Blackwell Companion to Nordic Cinema, Oxford: Wiley-Blackwell, 2016.
Palmberg, Mai: ”The Nordic Colonial Mind“. Suvi Keskinen et al. (red.): Complying with Colonialism. Gender, Race and Ethnicity in the Nordic Region. Farnham 2009, 35–50.
Volquardsen, Ebbe. “Scandinavia and “the Land of UnSwedish Freedom”. Jonathan Franzen, Susanne Bier and Self-conceptions of Exceptionalism in Crisis.” Kristín Loftsdóttir, Lars Jensen (eds.): Crisis in the Nordic Nations and Beyond: At the Intersection of Environment, Finance and Multiculturalism. Aldershot: Ashgate 2013, 31-50.
Oxfeldt, Elisabeth: “Multicultural Nationalism and Localized Globalization: Analyzing Film Narratives of Cultural Belonging from a Postcolonial Perspective.” Susanne V. Knudsen, Jesús Rodríguez Rodríguez & Mike Horsley (eds.): Local, National and Transnational Identities in Textbooks and Educational Media (10th International Conference on Textbooks and Educational Media). Santiago de Compostela: IARTEM 2010, 74-81.
Articles published online/in journals accessible via the UiO network:
Agger, Gunhild (2015): Strategies in Danish Film Culture – and the Case of Susanne Bier. Kosmorama #259 http://www.kosmorama.org/ServiceMenu/05-English/Articles/Susanne-Bier.aspx
Bruhn, J?rgen , Anne Gjelsvik & Henriette Thune ”Parallel worlds of possible meetings in Let The Right One In” Word & Image A Journal of Verbal/Visual Enquiry
Volume 27, 2011 - Issue 1 http://dx.doi.org/10.1080/02666281003683882
Brunow, Dagmar: “The language of the complex image: Roy Andersson’s political aesthetics”. Journal of Scandinavian Cinema 1:1 (2010), 83-86.
Rees, Ellen. “Norwave: Norwegian Cinema 1997-2006”. Scandinavian-Canadian Studies / ?tudes Scandinaves au Canada Vol. 19 (2010): 88-110.
Dag S?dtholdt: ”Homesick” , Montages, 2016
Marklund, Anders ”Can Anyone Help These Men? A Portrait of Men in Successful Contemporary Scandinavian Cinema”, Film International, Volume 6, Number 5, 27 October 2008, pp. 50-58(9)
Rees, Ellen. “Norwave: Norwegian Cinema 1997-2006”. Scandinavian-Canadian Studies / ?tudes Scandinaves au Canada Vol. 19 (2010): 88-110
Wartenberg, Thomas ”Force Majeure”, Philosophy Now, 2015, https://philosophynow.org/issues/108/Force_Majeure
Forthcoming :
Christer Bakke Andresen on Norwegian horror genre.
Additional tools/resources:
Timothy Corrigan: A Short Guide to Writing About Film (please purchase a copy!)
http://twp.duke.edu/uploads/media_items/film.original.pdf