Lothe, Jakob: Fiksjon og film: Narrativ teori og analyse, Oslo: Universitetsforlaget 2003.
Lothe, Jakob: Narrative in Fiction and Film: An Introduction, Oxford: Oxford University Press 2000.
Studentene velger selv om de vil kj?pe boka p? norsk eller engelsk:
Primary texts (film)
Andersson, Roy: Songs from the Second Floor (S?nger fr?n andra v?ningen) (2000)
Fares, Josef: Jalla! Jalla! (2000)
Jensen, Knut Erik: Cool and Crazy (Heftig og begeistret) (2001)
Johnsen, Sara: Upperdog (2009)
Kaurism?ki, Aki: The Man without a Past (Mies vailla menneisyytt?) (2002)
Lien, Jens: The Bothersome Man (Den brysomme mannen) (2006)
Poppe, Erik: Troubled Water (DeUsynlige) (2008)
Robsahm, Thomas et al.: Utopia – Nobody is Perfect in the Perfect Country (Folk flest bor i Kina) (2002)
Skjoldbj?rg, Erik: Insomnia (1997)
Vinterberg, Thomas: The Celebration (Festen) (1998)
Articles (articles marked with an asterisk are in the course reader):
Hjort, Mette. ”From Epiphanic Culture to Circulation: The Dynamics of Globalization in Nordic Cinema”. In: Andrew Nestingen and Trevor G. Elkington (eds.): Transnational Cinema in a Global North, Nordic Cinema in Transition. Detroit: Wayne State University Press: 2005: 191-218.*
Iversen, Gunnar. “The Old Wave: Material History in Cool and Crazy and the New Norwegian Documentary”. In: Claire Thomson (ed.): Northern Constellations. New Readings in Nordic Cinema. Norwich: Norvik Press 2006: 175-88.*?
Lindqvist, Ursula. Article on Songs from the Second Floor. Forthcoming.
Nestingen, Andrew. “The Home and the Container”. In: Crime and Fantasy in Scandinavia. Fiction, Film, and Social change. Seattle: University of Washington Press 2008: 140-53.*
Oxfeldt, Elisabeth. Article on DeUsynlige. Forthcoming.
Rees, Ellen. Article on Norwave (incl. Insomnia). Forthcoming
. “Personal Ideology and Collective Cinema: Folk flest bor i Kina and Contemporary Norwegian Political Consciousness”. In: Claire Thomson (ed.): Northern Constellations. New Readings in Nordic Cinema. Norwich: Norvik Press 2006: 97-110.*
Schepelern, Peter. “Film according to Dogma: Ground Rules, Obstacles, and Liberations”. In: Andrew Nestingen and Trevor G. Elkington (eds.): Transnational Cinema in a Global North, Nordic Cinema in Transition. Detroit: Wayne State University Press: 2005: 73-107.*?
Soila, Tytti, Astrid S?derbergh Widding and Gunnar Iversen. “ Film Production as a National Project”. Introduction to: Nordic National Cinemas. London: Routledge 1998: 1-6.*
Wright, Rochelle. “’Immigrant Film’ in Sweden at the Millennium”. In: Andrew Nestingen and Trevor G. Elkington (eds.): Transnational Cinema in a Global North, Nordic Cinema in Transition. Detroit: Wayne State University Press: 2005: 55-72.*