B?ker
Eriksen, Anne. Museum. En kulturhistorie. Oslo: Pax, 2009.
McClellan, Andrew. The Art Museum from Boullée to Bilbao. Berkeley: University of California Press, 2008.
Artikler (med forbehold om endringer)
*Alberro, Alexander. ”Institutions, Critique, and Institutional Critique”, i Alberro og Stimson (red.) Institutional Critique an Anthology of Artists’ Writings, 2009, s. 2–19.
Bencard, Adam. “Presence in the Museum. On metonymies, discontinuity and history without histories”. Museum & Society. 12, 1, 2014, 29–43.
Bennett, Tony. ”The Exhibitionary Complex”, i New Formations, 4, Spring 1988, http://banmarchive.org.uk/collections/newformations/04_73.pdf
*Brenna, Brita. ”Halvannen tekopp av kokosn?ttskall”. Agora, 3, 2006, 32–52.
*Clifford, James. ”Museums as Contact Zones”, i Routes. Travel and Translation in the Late Twentieth Century. 1997, 188–219.
*Mordhorst, Camilla. ?Museer, materialitet og tilstedev?r?, i Tine Damsholt, Dorthe Gert Simonsen og Camilla Mordhorst (red.). Materialiseringer. Nye perspektiver p? materialitet og kulturanalyse. Aarhus: Aarhus universitetsforlag 2009, s. 117–142.
*Deepwell, Katy. “Feminist Curatorial Strategies and Practices since the 1970s”, i Janet Marstine (red.) New Museum Theory and Practice. Malden: Blackwell Publishing 2006, 64– 80.
*Eriksen, Anne. ”Museet og tingene. Fremvisning og usynliggj?ring”, i Eriksen, Anne, Mia G?ran og Ragnhild Evang Reinton (red.), Tingenes tilsynekomster. Kulturproduksjon, materialitet og estetikk. Oslo: Novus forlag, 2013, s. 169–192.
Findlen, Paula. "The Museum: Its Classical Etymology and Renaissance Genealogy." Journal of the History of Collections, 1, 1989, 59–79. Fulltekst:
*Fraser, Andrea. ”From the Critique of Institutions to an Institution of Critique”, i Alberro og Stimson (red.) Institutional Critique an Anthology of Artists’ Writings, 2009, s. 408–417.
*Gjestrum, John Aage og Marc Maure (red.): ?komuseumsboka – identitet, ?kologi, deltakelse, Norsk ICOM, Troms? 1988, s.1–40.
Haraway, Donna. ”Teddy Bear Patriarchy: Taxidermy in the Garden of Eden, New York City, 1908–1936”. Social Text , nr. 11, Winter 1984/85. Fulltekst.
*Hooper-Greenhill, Eilean. “What is a Museum?”, i Museums and the Shaping of Knowledge. London: Routledge 1992, 1–22.
*Kreps, Christina F. ”Non-Western Models of Museums and Curation in Cross-cultural Perspective”, i Sharon Macdonald (red.), A Companion to Museum Studies. Malden: Blackwell Publishing 2006, s. 457–472.
*Macdonald, Sharon. ”Expanding Museum Studies. An Introduction”, i Sharon Macdonald (red.), A Companion to Museum Studies. Malden: Blackwell Publishing 2006, 1–12.
*Messel, Nils. ”Skulpturmuseet i Kristiania 1881–1902”, i Kunst og kultur, 1/1993, s. 2–40.
*Moser, Stephanie. "The devil is in the detail: How museum displays create knowledge." I: Museum Anthropology 33(1), 2010, s. 22-32.
*Obrist, Hans Ulrich. “Pioneers”, i Ways of Curating. Penguin House 2014, s. 60–75.
Olsen, Bj?rnar. ”Momenter til et forsvar av tingene”. Nordisk museologi, 2004, 2, 25–36. Hele nummeret ligger samlet elektronisk, bla fram til riktig artikkel. Fulltekst.
*Sandell, Richard. “Museums and the Human Rights Frame”, i Sandell, Richard og Nightingale, Eithne, Museums, Equality and Social Justice. London og New York: Routledge, 2012, s. 195–215
Shelton, Anthony. ”Critical Museology. A Manifesto”. Museum Worlds: Advances in Research 1, 2013, 7–23. (Fulltekst.)
*Vergo, Peter. ”Introduction”, i Peter Vergo (red.), The New Museology. London: Reaktion Books, 1989, 1–5.
*Vogel, Susan. “Always True to the Object, in Our Fashion”, i Karp, Ivan og Lavine, Steven D. (red.), Exhibiting Cultures. The Poetics and Politics of Museum Display. London og New York: Smithsonian Institution Press, 1991, s. 191–204.