KUN4030 - H?st 2011

Undervisningsplan

Uge 34

I: Introduktion

DatoUndervises avStedTemaKommentarer / ressurser
22.08.2011Bente Larsen? GM, 204 Seminarrom? Forel?sning? Pensum: #Roland Barthes, “Cy Twombly: Works on Paper”, i The Responsibility of Forms: Critical Essays on Music, Art and Representation, New York, Hill and Wang, 1985?
24.08.2011Bente Larsen? GM, 219 Seminarrom? Seminar med gruppearbejde: ? Pensum: #Susan Sontag, “Against Interpretation”, I Against Interpretation and Other Essays, New York, Farrar, Strauss and Giroux, 1966

Margaret Iversen and Stephen Melville, ”What is the Matter with Methodology?”, I Margaret Iversen and Stephen Melville, Writing Art History. Disciplinary Departures, The University of Chicago Press, Chicago 2010, s. 1-15?

Uge 35

II: Historie

DatoUndervises avStedTemaKommentarer / ressurser
29.08.2011Bente Larsen? GM, 204 Seminarrom? Forel?sning: ? Pensum: Margaret Iversen, Alois Riegl: Art History and Theory, Cambridge, MA:MIT Press, 1993?
31.08.2011Bente Larsen ? GM, 219 Seminarrom? Seminar med gruppearbejde:? Pensum:Margaret Iversen, Alois Riegl: Art History and Theory, Cambridge, MA:MIT Press, 1993?

Uge 36

III: Ikonografi?

DatoUndervises avStedTemaKommentarer / ressurser
05.09.2011? ? ? Forelesningen idag er avlyst og erstattet av forelesning 2. november?
07.09.2011Bente Larsen ? GM, 219 Seminarrom? Seminar med gruppearbejde: ? Pensum: Michael Ann Holly : Panofsky and the foundations of art history , 1985. Ithaca, N.Y. : Cornell University Press. 267 s.?
02.11.2011Bente Larsen ? GM, 204 Seminarrom? Forel?sning:? Pensum: # Michale Baxandall, Michael , Michael Baxandall, “Patterns of Intention” i: Donald Preziosi (ed.), The Art of Art History. A Critical Anthology, Oxford University Press 2009. New Haven, Conn.: Yale University Press. s 45-53.?

Uge 37

IV: Ikonologi/semiotik?

DatoUndervises avStedTemaKommentarer / ressurser
12.09.2011Bente Larsen ? GM 204 Seminarrom? Forel?sning: ? Pensum: #Mieke Bal, Norman Bryson; “Semiotics and Art History: A Discussusion of Context and Senders”, i Donald Preziosi (ed.), The Art of Art History. A Critical Anthology, Oxford University Press 2009. New Haven, Conn. : Yale University Press, p.p243-256?
14.09.2011Bente Larsen ? GM 219 Seminarrom? Seminar med gruppearbejde: ? #Hans Belting “Image, Medium, Body: A New Approach to Iconology,” i: : Critical Inquiry 31. 2, Winter 2005. s. 302-319.?

Uge 38

V: Blik og betydning?

DatoUndervises avStedTemaKommentarer / ressurser
19.09.2011Bente Larsen ? GM 204 Seminarrom? Forel?sning: ? Pensum: Georges Didi-Huberman: Confronting Images, The Pennsylvania State University Press, 2005. s.1-51.?
21.09.2011Bente Larsen ? GM, 219 Seminarrom? Seminar med gruppearbejde:? Pensum: Georges Didi-Huberman: Confronting Images, The Pennsylvania State University Press, 2005. s. 219-271.?

Uge 39

VI: Hermeneutik?

DatoUndervises avStedTemaKommentarer / ressurser
26.09.2011Bente Larsen ? GM 204 Seminarrom? Forel?sning:? Pensum: # Hans-Georg Gadamer, ”The Ontology of the Work of Art and its Hermeneutical Significance” i Richard Kearney and David Rasmussen (ed.), Continental Aesthetics, Blackwell 2001, s. 321-338?
28.09.2011Bente Larsen ? GM, 219 Seminarrom? Seminar og gruppearbejde:? Pensum: #Gottfried Boehm , “Bidrag til en billedets hermeneutik” i: J?rgen Dehs (red.): ?stetiske teorier, Odense Universitetsforlag 1995. s, 181-202.

#Gottfried Boehm, ”Hinsides spr?ket” i: Bente Larsen (red.): Estetik. Sansing, erkjennelse og verk, Unipub 2006, s. 31-45?

Uge 40

VII: Billedets antropologi

DatoUndervises avStedTemaKommentarer / ressurser
03.10.2011Bente Larsen ? GM, 204 Seminarrom? Forel?sning: ? Pensum: Walter Benjamin, “Kunstverket i reproduksjonsalderen”, i Kjersti Bale og Arnfinn B?-Rygg (red.), Estetisk teori. En Antologi, Oslo, Universitetsforlaget, 2008, 214-40 ?
05.10.2011Bente Larsen ? GM, 219 Seminarrom? Seminar med gruppearbejde:? Pensum: George Didi-Huberman, “'The Supposition of the Aura: The Now, The Then and Modernity”, i Andrew E. Benjamin (Ed.) Walter Benjamin and History, New York, Continuum 2005, s. 3-18 ?

St?ttelitteratur

# Nicolas Davey, “The Hermeneutics of Seeing” i Ian Heywood and Barry Sandywell (ed.), Interpreting Visual Culture. Explorations in the Hermeneutics of the Visual, Routhledge 1999, s.3-30

Margaret Iversen and Stephen Melville, Writing Art History. Disciplinary Departures, The University of Chicago Press, Chicago 2010, s. 38-200

# John Sallis, “The Hermeneutics of the Artwork”, i Günter Figal, Wahrheit und Methode, Adademie Verlag, 2007, s. 45-57

#Marquard Smith, “Visual Culture Studies: Questions of History, Theory, and Practice.” I Donald Preziosi (ed): The Art of Art History, Oxford: Oxford University Press, 2009. ss, 455-467

#: kopi af tekst vil ligge p? fronter

DatoUndervises avStedTemaKommentarer / ressurser
..? ? ? ?
Publisert 7. apr. 2011 12:58 - Sist endret 29. aug. 2011 16:47
Del p? e-post