B?ker
L’Estrange, Elizabeth: Holy Motherhood: Gender, Dynasty and Visual Culture in the Later Middle Ages. Manchester 2008 / 259 pp.
The Mind’s Eye. Art and Theological Argument in the Middle Ages. Jeffrey F. Hamburger, Anne-Marie Bouché (eds.). Princeton: Princeton University Press 2006
- Bynum, Caroline Walker: “Seeing and seeing beyond: The Mass of St. Gregory in the fifteenth century” (pp. 208–240) / 32 pp.
- Hamburger, Jeffrey F.: “The medieval work of art: Wherein the ‘work’? Wherein the ‘art’?” (pp. 374–412) / 38 pp.
- Kessler, Herbert: “Turning a blind eye: Medieval art and the dynamics of contemplation” (pp. 413–439) / 26 pp.
- Lentes, Thomas: “‘As far as the eye can see…’ Rituals of gazing in the late Middle Ages” (pp. 360–373) / 13 pp.
- Tachau, Katherine H.: “Seeing as action and passion in the thirteenth and fourteenth centuries” (pp. 336–359) / 23 pp.
Sekules, Veronica: Medieval Art. Oxford History of Art. Oxford: Oxford University Press 2001
- Ch. 1, 2, 4–7 / 163 pp.
Tekster i kompendium
van Aelst, José: “Visualizing the spiritual: Images in the life and teachings of Henry Suso (c. 1295–1366)”. Speaking to the Eye. Sight and Insight through Text and Image (1150–1650). Thérèse de Hemptinne, Veerle Fraeters, María Eugenia Góngora (eds.). Turnhout: Brepols 2013 (pp. 129–151) / 22 pp.
Diedrichs, Christof L.: “Desire of viewing: ‘A deluge of images’ in the Middle Ages”. Genre and Ritual. The Cultural Heritage of Medieval Rituals. Eyolf ?strem, Mette Birkedal Bruun, Nils Holger Petersen, Jens Fleischer (eds.). Copenhagen: Museum Tusculanum Press 2005 (pp. 87–117) / 30 pp.
Griffith Mann, C.: “The living past: Form and meaning in a late medieval eucharistic chalice from the Walters Art Museum”. Perspectives on Medieval Art. Learning through Looking. Ena Giurescu Heller, Patricia C. Poingracz (eds.). New York: Museum of Biblical Art 2010 (pp. 129–136) / 8 pp.
Hahn, Cynthia: “Vision”. A Companion to Medieval Art. Conrad Rudolph (ed.). Blackwells companions to art history. Chichester: Wiley-Blackwell 2010 (pp. 44–64) / 20 pp.
Hamburger, Jeffrey F.: The Visual and the Visionary. Art and Female Spirituality in Late Medieval Germany. New York: Zone Books 1998
- Ch. 7: “Vision and the Veronica” (pp. 317–382) / 65 pp.
Kromm, Jane: “General introduction”. A History of Visual Culture. Western Civilization from the 18th to the 21st Century. Jane Kromm, Susan Benforado Bakewell (eds.). Oxford, New Your: Berg 2010 (pp. 1–12) / 12 pp.
Mirzoeff, Nicholas: ”What is visual culture?”. Visual Culture Reader. Nicholas Mirzoeff (ed.). London, New York: Routledge 2002 (2nd. ed.) (pp. 3–23) / 20 pp.
Mitchell, W. J. T.: “Interdisciplinarity and Visual Culture”. The Art Bulletin 77:4 (1995) (pp. 540–544) / 4 pp.
Rogoff, Irit: ”Studying visual culture”. Visual Culture Reader. Nicholas Mirzoeff (ed.). London, New York: Routledge 2007 (2nd. ed.) (pp. 24–36) / 12 pp.
Seubert, Xavier John: “Liturgical instruments and the placing of pleasure”. Perspectives on Medieval Art. Learning through Looking. Ena Giurescu Heller, Patricia C. Poingracz (eds.). New York: Museum of Biblical Art 2010 (pp. 137–145) / 9 pp.
Soskice, Janet Martin: “Sight and vision in medieval Christian thought”, Vision in Context. Historical and Contemporary Perspectives on Sight, Teresa Brennan, Martin Jay (red.), New York/London 1996 (pp. 29–43) / 14 pp.