B?ker:
Hatt, Michael og Charlotte Klonk. Art History: A Critical Introduction to its Methods (Manchester: Manchester University Press, 2006). (244 sider)
Mirzoeff, Nicholas. How to See the World (London: Pelican, 2015). (298 sider)
Nochlin, Linda. Hvorfor har det ikke v?rt noen store kvinnelige kunstnere? (Oslo: Pax, 2002), 7-64. (58 sider)
1. Kunsthistoriens f?dsel: Winkelmannn og Hegel
Hegel, G.W.F. Innledning til estetikken (Oslo: Aschehoug, 1986), 91-117. (27 sider).
Winckelmann, Johann Joachim. “Tanker om etterligningen av de greske verker i maleriet og billedhuggerkunsten,? Agora 24, nr. 3 (2006): 185-191. (7 sider).
2. Formalisme
Greenberg, Clement. “Modernistisk maleri”, i Den modernistiske kunsten (Oslo: Pax, 2004), 141-156. (16 sider). [Kompendium]
Riegl, Alois. “Leading Characteristics of the Late Roman Kunstwollen”, i Donald Periozi, red., The Art of Art History. A Critical Anthology (Oxford: Oxford University Press, 2009 [1998]), 155-161. (7 sider). [Kompendium]
W?lfflin, Heinrich. Principles of Art History (New York: Dover, 1950), 1-53. (53 sider).
3. Ikonologi
Panofsky, Erwin. “Iconography and Iconology: An Introduction to the Study of Renaissance Art”, i Meaning in the Visual Arts (Chicago: The University of Chicago Press, 1955), 26-54. (29 sider) [Kompendium]
4. Semiotikk
Bal, Mieke og Norman Bryson. ?Semiotics and Art History?, The Art Bulletin 73 (2), (1991): 174-208. (35 sider)
Barthes, Roland. “Bildets retorikk”, i I tegnets tid. Utvalgte artikler og essays (Oslo: Pax, 1994), 22-35. (14 sider)
Krauss, Rosalind. “In the Name of Picasso”, October 16 (1981): 5-22. (18 sider)
5. Ideologi
Althusser, Louis. “A Letter on Art in Reply to André Daspre,” I Lenin and Philosophy and Other Essays (Delhi: Aakar, 2006). 151-155. (5 sider). [Kompendium]
Clark, T.J. ?On the Social History of Art?, i Image of the People. Gustave Courbet and the 1848 Revolution (London: Thames & Hudson, 1988), 9-20. (12 sider). [Kompendium]
Foucault, Michel. “Panoptismen”, i Det modern fengsels historie (Oslo: Gyldendal Norsk Forlag, 1977), 176-201. (26 sider).
Holloway, Camara Dia. “Critical Race Art History”, Art Journal 75 (1), (2016): 89-92. (4 sider).
Nochlin, Linda. “The Imaginary Orient”, i The Politics of Vision. Essays on Nineteenth-Century Art and Society (New York: Harper & Row, 1989), 33-59. (27 sider). [Kompendium]
6. Feminisme og queer theory
Halperin, David. “Is There a History of Sexuality?” History & Theory 28 (3), (1989): 257-274. (18 sider).
Parker, Rozsika og Griselda Pollock, Old Mistresses: Women, Art and Ideology (London og Henley: Routledge og Kegan Paul, 1981), 1-49. (49 sider). [Kompendium]
7. Psykoanalyse
Mulvey, Laura. “Visuell nytelse og narrative film,” i Hallvard J. Fossheim (red.), Filmteori. En antologi (Oslo: Pax, 1999), 170-181. (12 sider). [Kompendium]
Pensum: 959 sider inkludert illustrasjoner.