B?ker (kj?pes p? Akademika)
Hatt, Michael og Charlotte Klonk: Art History: A Critical Introduction to its Methods (Manchester: Manchester University Press, 2006).
Mirzoeff, Nicholas: How to See the World (London: Pelican, 2015).
Nochlin, Linda. Hvorfor har det ikke v?rt noen store kvinnelige kunstnere? (Oslo: Pax, 2002).
1. Winckelmann
Davis, Whitney: “Winckelmann Divided: Mourning the Death of Art History”, i Donald Periozi, red., The Art of Art History. A Critical Anthology (Oxford: Oxford University Press, 2009 [1998]), 35-44. [Kompendium]
Winckelmann, Johann Joachim: “Tanker om etterligningen av de greske verker i maleriet og billedhuggerkunsten.? Agora 24, nr. 3 (2006): 185-191. Link: https://www.idunn.no/agora/2006/03/tanker_om_etterligningen_av_de_greske_verker_i_maleriet_og_
2. Hegel
Hegel, G.W.F.: Innledning til estetikken (Oslo: Aschehoug, 1986), 91-117.
Link: http://urn.nb.no/URN:NBN:no-nb_digibok_2013101408200
3. Formalisme: Riegl og W?lfflin
Riegl, Alo?s. “Excerpts from ‘The Dutch Group Portrait.” October 74 (1995): 3-35. Link: http://www.jstor.org/stable/778818
Riegl, Alois: “Leading Characteristics of the Late Roman Kunstwollen”, i Donald Periozi, red., The Art of Art History. A Critical Anthology (Oxford: Oxford University Press, 2009 [1998]), 155-161. [Kompendium]
W?lfflin, Heinrich: Principles of Art History (New York: Dover, 1950), 1-53. Link: https://archive.org/stream/princarth00wlff#page/n5/mode/2up
4. Ikonologi
Panofsky, Erwin: “Iconography and Iconology: An Introduction to the Study of Renaissance Art”, Meaning in the Visual Arts (Chicago: The University of Chicago Press, 1955), 26-54. [Kompendium]
5. Semiotikk
Bal, Mieke: “Recognition: Reading Icons, Seeing Stories”, Reading “Rembrandt”. Beyond the Word-Image Opposition (Cambridge: Cambridge University Press, 1991), 177-215. [Kompendium]
Krauss, Rosalind. “In the Name of Picasso”, October 16 (1981): 5-22.
Link: http://www.jstor.org/stable/778371
6. Ideologi
Althusser, Louis. “A Letter on Art in Reply to André Daspre.” Lenin and Philosophy and Other Essays (Delhi: Aakar, 2006). 151-155. [Kompendium]
Clark, T.J. ?On the Social History of Art?. Image of the People. Gustave Courbet and the 1848 Revolution (London: Thames & Hudson, 19??), 9-20. [Kompendium]
Foucault, Michel: “Panoptismen”, Det modern fengsels historie (Oslo: Gyldendal Norsk Forlag, 1977), 176-201. Link: http://urn.nb.no/URN:NBN:no-nb_digibok_2007072501074
Nochlin, Linda: “The Imaginary Orient”, The Politics of Vision. Essays on Nineteenth-Century Art and Society (New York: Harper & Row, 1989), 33-59. [Kompendium]
7. Feminisme
Parker, Rozsika og Griselda Pollock: Old Mistresses: Women, Art and Ideology (London og Henley: Routledge og Kegan Paul, 1981), 1-49. [Kompendium]
8. Psykoanalyse
Foster, Hal. “Death in America.” October 75 (1996): 36-59. Link: http://www.jstor.org/stable/778898
Foster, Hal. “Obscene, Abject, Traumatic.” October 78 (1996): 106-124. Link: http://www.jstor.org/stable/778908
Lacan, Jacques: “The Mirror Stage as Formative of the I Function”, ?crits (New York og London: W.W. Norton & Company, 2006 [2002]), 75-81. [Kompendium]
Mulvey, Laura: “Visual Pleasure and Narrative Cinema”, Visual and Other Pleasures (New York: Palgrave Macmillian, 2009 [1989]), 14-27. [Kompendium]
9. Hva er et bilde? Fra tegn til kropp
Barthes, Roland. “Bildets retorikk”. I tegnets tid. Utvalgte artikler og essays (Oslo: Pax, 1994), 22-35. Link: http://urn.nb.no/URN:NBN:no-nb_digibok_2012120508142
Massumi, Brian. “The Autonomy of Affect.” Cultural Critique 31 (1995): 83-109. Link: http://www.jstor.org/stable/1354446
Mitchell, W.J.T.: ?What Do Pictures ‘Really’ Want??, October 77 (1996): 71-82.
Link: http://www.jstor.org/stable/778960?seq=1#page_scan_tab_contents
(Sidetall inkl illustrasjoner: ca. 1160)