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\listoverridecount0\ls11}{\listoverride\listid811559412\listoverridecount0\ls12}}{\info{\title Hovedgrupper med malerigenre,}{\author Mai Britt Guleng}{\operator maig}{\creatim\yr2004\mo9\dy15\hr18\min28}{\revtim\yr2004\mo9\dy28\hr10\min13}{\version7}
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\jcompress\viewkind1\viewscale100\pgbrdrhead\pgbrdrfoot\nolnhtadjtbl \fet0\sectd \linex0\headery709\footery709\colsx709\endnhere\sectdefaultcl {\*\pnseclvl1\pnucrm\pnstart1\pnindent720\pnhang{\pntxta .}}{\*\pnseclvl2\pnucltr\pnstart1\pnindent720\pnhang
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{\pntxtb (}{\pntxta )}}{\*\pnseclvl7\pnlcrm\pnstart1\pnindent720\pnhang{\pntxtb (}{\pntxta )}}{\*\pnseclvl8\pnlcltr\pnstart1\pnindent720\pnhang{\pntxtb (}{\pntxta )}}{\*\pnseclvl9\pnlcrm\pnstart1\pnindent720\pnhang{\pntxtb (}{\pntxta )}}\pard\plain 
\s1\ql \li0\ri0\sb120\sa240\keepn\widctlpar\faauto\outlinelevel0\adjustright\rin0\lin0\itap0 \b\f1\fs32\lang1044\langfe1044\kerning32\cgrid\langnp1044\langfenp1044 {\lang2057\langfe1044\langnp2057 Main categories of painting,
\par }\pard\plain \ql \li0\ri0\widctlpar\faauto\adjustright\rin0\lin0\itap0 \fs24\lang1044\langfe1044\cgrid\langnp1044\langfenp1044 {\fs20\lang2057\langfe1044\langnp2057 according to the art historian Lorentz Dietrichson i his popular aesthetics }{
\i\fs20\lang2057\langfe1044\langnp2057 Det sk\'f6nas verld}{\fs20\lang2057\langfe1044\langnp2057 . }{\i\fs20\lang2057\langfe1044\langnp2057 L\'e4ran om det sk\'f6na med specielt afseende p\'e5 den bildande konsten}{\fs20\lang2057\langfe1044\langnp2057 
, 1873 [The World of Beauty. Instruction on the Beautiful in Pictorial Art]. (Abbreviated and translated by Mai Britt Guleng).
\par The artists were trained to be conscious of the choice of genre (category of pictorial form) at the art academies (internationally from the 17}{\fs20\lang2057\langfe1044\super\langnp2057 th}{\fs20\lang2057\langfe1044\langnp2057 
 century), but the categories could be mixed. From the end of the 19}{\fs20\lang2057\langfe1044\super\langnp2057 th}{\fs20\lang2057\langfe1044\langnp2057  century some artists tried to free themselves from the limits of the traditional categories.
\par 
\par 
\par {\pntext\pard\plain\s27 \fs20\lang2057\langfe1044\langnp2057 \hich\af0\dbch\af0\loch\f0 1.\tab}}\pard\plain \s27\ql \fi-360\li360\ri0\sb40\sa40\sl360\slmult1\widctlpar\jclisttab\tx360{\*\pn \pnlvlbody\ilvl0\ls4\pnrnot0
\pndec\pnstart1\pnindent360\pnsp120\pnhang{\pntxta .}}\faauto\ls4\adjustright\rin0\lin360\itap0 \fs24\lang1024\langfe1024\cgrid\noproof\langnp1033\langfenp1044 {\fs20\lang2057\noproof0\langnp2057 History painting
\par {\pntext\pard\plain\s27 \fs20\lang2057\langfe1044\langnp2057 \hich\af0\dbch\af0\loch\f0 A.\tab}}\pard \s27\ql \fi-360\li720\ri0\sb40\sa40\sl360\slmult1\widctlpar\jclisttab\tx720{\*\pn \pnlvlbody\ilvl0\ls6\pnrnot0
\pnucltr\pnstart1\pnindent360\pnsp120\pnhang{\pntxta .}}\faauto\ls6\adjustright\rin0\lin720\itap0 {\fs20\lang2057\noproof0\langnp2057 The religious painting
\par }\pard\plain \ql \fi708\li708\ri0\widctlpar{\*\pn \pnlvlcont\ilvl0\ls0\pnrnot0\pndec }\faauto\adjustright\rin0\lin708\itap0 \fs24\lang1044\langfe1044\cgrid\langnp1044\langfenp1044 {\fs20\lang2057\langfe1044\langnp2057 a. Rel
igious ideas, dogmas depicted with symbols.
\par }\pard \ql \li1416\ri0\widctlpar{\*\pn \pnlvlcont\ilvl0\ls0\pnrnot0\pndec }\faauto\adjustright\rin0\lin1416\itap0 {\fs20\lang2057\langfe1044\langnp2057 b Historical events from the religious texts (The Bible, the Apocrypha, stories about saints).\line 

\par {\pntext\pard\plain\s27 \fs20\lang2057\langfe1044\langnp2057 \hich\af0\dbch\af0\loch\f0 B.\tab}}\pard\plain \s27\ql \fi-360\li720\ri0\sb40\sa40\sl360\slmult1\widctlpar\jclisttab\tx720{\*\pn \pnlvlbody\ilvl0\ls6\pnrnot0
\pnucltr\pnstart1\pnindent360\pnsp120\pnhang{\pntxta .}}\faauto\ls6\adjustright\rin0\lin720\itap0 \fs24\lang1024\langfe1024\cgrid\noproof\langnp1033\langfenp1044 {\fs20\lang2057\noproof0\langnp2057 
The mythological painting (antiquity, Norse etc.). It was originally of a religious nature, but was later used m
ore generally symbolically: as Apollo and the Muses in concert rooms, Dionysios and Eros in party rooms etc. Sometimes close in character to the genre painting.\line 
\par {\pntext\pard\plain\s27 \fs20\lang2057\langfe1044\langnp2057 \hich\af0\dbch\af0\loch\f0 C.\tab}}\pard \s27\ql \fi-360\li720\ri0\sb40\sa40\sl360\slmult1\widctlpar\jclisttab\tx720{\*\pn \pnlvlbody\ilvl0\ls6\pnrnot0
\pnucltr\pnstart1\pnindent360\pnsp120\pnhang{\pntxta .}}\faauto\ls6\adjustright\rin0\lin720\itap0 {\fs20\lang2057\noproof0\langnp2057 The historical (events from world history, national history)
\par }\pard\plain \ql \fi708\li0\ri0\widctlpar\faauto\adjustright\rin0\lin0\itap0 \fs24\lang1044\langfe1044\cgrid\langnp1044\langfenp1044 {\fs20\lang2057\langfe1044\langnp2057 \tab a. Epic history pictures (where the masses are most important, not individuals)

\par }\pard \ql \li1410\ri0\widctlpar\faauto\adjustright\rin0\lin1410\itap0 {\fs20\lang2057\langfe1044\langnp2057 b. Lyrical history pictures (where historical individuals are depicted in a moment that reveals their personality of spiritual inner agitation)

\par b. Dramatically history pictures \endash  \'93the proper history painting\'94. (the tension in the moment before a decisive historical moment, the moment where the outburst takes place or immediately after where the reaction develops)
\par 
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\pndec\pnstart1\pnindent360\pnsp120\pnhang{\pntxta .}}\faauto\ls4\adjustright\rin0\lin360\itap0 \fs24\lang1024\langfe1024\cgrid\noproof\langnp1033\langfenp1044 {\fs20\lang2057\noproof0\langnp2057 
Portraiture (middle form between history painting and genre painting)\line Its purpose is to reproduce the features of a particular person.
\par {\pntext\pard\plain\s27 \fs20\lang2057\langfe1044\langnp2057 \hich\af0\dbch\af0\loch\f0 A.\tab}}\pard \s27\ql \fi-360\li1068\ri0\sb40\sa40\sl360\slmult1\widctlpar\jclisttab\tx1068{\*\pn \pnlvlbody\ilvl0\ls8\pnrnot0
\pnucltr\pnstart1\pnindent360\pnsp120\pnhang{\pntxta .}}\faauto\ls8\adjustright\rin0\lin1068\itap0 {\fs20\lang2057\noproof0\langnp2057 Historical portraits. Are focused on rendering the character of a particular historical person.
\par {\pntext\pard\plain\s27 \fs20\lang2057\langfe1044\langnp2057 \hich\af0\dbch\af0\loch\f0 B.\tab}}\pard \s27\ql \fi-360\li1068\ri0\sb40\sa40\sl360\slmult1\widctlpar\jclisttab\tx1068{\*\pn \pnlvlbody\ilvl0\ls8\pnrnot0
\pnucltr\pnstart1\pnindent360\pnsp120\pnhang{\pntxta .}}\faauto\ls8\adjustright\rin0\lin1068\itap0 {\fs20\lang2057\noproof0\langnp2057 Genre portrait. Portraits depicting types, but still respecting the personality of the portrayed person: a
 certain temperament, class, profession or character. The studies of heads belong here.
\par {\pntext\pard\plain\s27 \fs20\lang2057\langfe1044\langnp2057 \hich\af0\dbch\af0\loch\f0 -\tab}}\pard \s27\ql \fi-360\li1068\ri0\sb40\sa40\sl360\slmult1\widctlpar\jclisttab\tx1068{\*\pn \pnlvlblt\ilvl0\ls7\pnrnot0\pnstart1\pnindent360\pnsp120\pnhang
{\pntxtb -}}\faauto\ls7\adjustright\rin0\lin1068\itap0 {\fs20\lang2057\noproof0\langnp2057 
Portraits that are made only in order to render the physical appearance of an individual and not pointing to something of a more general nature as character, temperament, etc, are not proper art, according to Dietrichson.
\par }\pard \s27\ql \li708\ri0\sb40\sa40\sl360\slmult1\widctlpar\faauto\adjustright\rin0\lin708\itap0 {\fs20\lang2057\noproof0\langnp2057 Persons are depicted in the formats: full length, head and torso, or head only.
\par 
\par {\pntext\pard\plain\s27 \fs20\lang2057\langfe1044\langnp2057 \hich\af0\dbch\af0\loch\f0 3.\tab}}\pard \s27\ql \fi-360\li360\ri0\sb40\sa40\sl360\slmult1\widctlpar\jclisttab\tx360{\*\pn \pnlvlbody\ilvl0\ls4\pnrnot0\pndec\pnstart1\pnindent360\pnsp120\pnhang
{\pntxta .}}\faauto\ls4\adjustright\rin0\lin360\itap0 {\fs20\lang2057\noproof0\langnp2057 Genre pictures
\par {\pntext\pard\plain\s27 \fs20\lang2057\langfe1044\langnp2057 \hich\af0\dbch\af0\loch\f0 A.\tab}}\pard \s27\ql \fi-360\li1068\ri0\sb40\sa40\sl360\slmult1\widctlpar\jclisttab\tx1068{\*\pn \pnlvlbody\ilvl0\ls9\pnrnot0
\pnucltr\pnstart1\pnindent360\pnsp120\pnhang{\pntxta .}}\faauto\ls9\adjustright\rin0\lin1068\itap0 {\fs20\lang2057\noproof0\langnp2057 The historical genre picture. Is in many cases hard to distinguish from the historical picture.
 Is depicting historical personalities in a genre like way.
\par {\pntext\pard\plain\s27 \fs20\lang2057\langfe1044\langnp2057 \hich\af0\dbch\af0\loch\f0 B.\tab}}\pard \s27\ql \fi-360\li1068\ri0\sb40\sa40\sl360\slmult1\widctlpar\jclisttab\tx1068{\*\pn \pnlvlbody\ilvl0\ls9\pnrnot0
\pnucltr\pnstart1\pnindent360\pnsp120\pnhang{\pntxta .}}\faauto\ls9\adjustright\rin0\lin1068\itap0 {\fs20\lang2057\noproof0\langnp2057 Genre pictures with a motive from myths or literature (humorous or lyrical).
\par {\pntext\pard\plain\s27 \fs20\lang2057\langfe1044\langnp2057 \hich\af0\dbch\af0\loch\f0 C.\tab}}\pard \s27\ql \fi-360\li1068\ri0\sb40\sa40\sl360\slmult1\widctlpar\jclisttab\tx1068{\*\pn \pnlvlbody\ilvl0\ls9\pnrnot0
\pnucltr\pnstart1\pnindent360\pnsp120\pnhang{\pntxta .}}\faauto\ls9\adjustright\rin0\lin1068\itap0 {\fs20\lang2057\noproof0\langnp2057 The proper genre picture. Catching and depicting life\rquote 
s many transitory moments. (humorous, idyllic, jovial, every day life)\line a. The depiction of the lower classes \endash  showing the picturesque of the beauty of the physical world or the humorous. A rough style (brushwork) is appropriate.\line 
b. The depiction of the higher, civilised life, where the picturesque and painterly is less important, but even more the inner, mental aspects. A finer, more elegant style (brushwork) is appropriate.
\par }\pard \s27\ql \li708\ri0\sb40\sa40\sl360\slmult1\widctlpar\faauto\adjustright\rin0\lin708\itap0 {\fs20\lang2057\noproof0\langnp2057 
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{\pntxta .}}\faauto\ls4\adjustright\rin0\lin360\itap0 {\fs20\lang2057\noproof0\langnp2057 Animal pictures (between genre pictures and landscape pictures)\line Is often playing on the likeness between the animals and humans \endash 
 reflecting virtues, feelings, bad qualities.
\par }\pard \s27\ql \li0\ri0\sb40\sa40\sl360\slmult1\widctlpar{\*\pn \pnlvlcont\ilvl0\ls0\pnrnot0\pndec }\faauto\adjustright\rin0\lin0\itap0 {\fs20\lang2057\noproof0\langnp2057 
\par {\pntext\pard\plain\s27 \fs20\lang2057\langfe1044\langnp2057 \hich\af0\dbch\af0\loch\f0 5.\tab}}\pard \s27\ql \fi-360\li360\ri0\sb40\sa40\sl360\slmult1\widctlpar\jclisttab\tx360{\*\pn \pnlvlbody\ilvl0\ls4\pnrnot0\pndec\pnstart1\pnindent360\pnsp120\pnhang
{\pntxta .}}\faauto\ls4\adjustright\rin0\lin360\itap0 {\fs20\lang2057\noproof0\langnp2057 Nature pictures
\par {\pntext\pard\plain\s27 \fs20\lang2057\langfe1044\langnp2057 \hich\af0\dbch\af0\loch\f0 A.\tab}}\pard \s27\ql \fi-360\li1068\ri0\sb40\sa40\sl360\slmult1\widctlpar\jclisttab\tx1068{\*\pn \pnlvlbody\ilvl0\ls12\pnrnot0
\pnucltr\pnstart1\pnindent360\pnsp120\pnhang{\pntxta .}}\faauto\ls12\adjustright\rin0\lin1068\itap0 {\fs20\lang2057\noproof0\langnp2057 Dead nature (still life). Depicting lifeless things as fruit, game. 
\par {\pntext\pard\plain\s27 \fs20\lang2057\langfe1044\langnp2057 \hich\af0\dbch\af0\loch\f0 B.\tab}}\pard \s27\ql \fi-360\li1068\ri0\sb40\sa40\sl360\slmult1\widctlpar\jclisttab\tx1068{\*\pn \pnlvlbody\ilvl0\ls12\pnrnot0
\pnucltr\pnstart1\pnindent360\pnsp120\pnhang{\pntxta .}}\faauto\ls12\adjustright\rin0\lin1068\itap0 {\fs20\lang2057\noproof0\langnp2057  Flower pictures. 
\par {\pntext\pard\plain\s27 \fs20\lang2057\langfe1044\langnp2057 \hich\af0\dbch\af0\loch\f0 C.\tab}}\pard \s27\ql \fi-360\li1068\ri0\sb40\sa40\sl360\slmult1\widctlpar\jclisttab\tx1068{\*\pn \pnlvlbody\ilvl0\ls12\pnrnot0
\pnucltr\pnstart1\pnindent360\pnsp120\pnhang{\pntxta .}}\faauto\ls12\adjustright\rin0\lin1068\itap0 {\fs20\lang2057\noproof0\langnp2057 Landscape.
\par {\pntext\pard\plain\s27 \fs20\lang2057\langfe1044\langnp2057 \hich\af0\dbch\af0\loch\f0 a.\tab}}\pard \s27\ql \fi-360\li1428\ri0\sb40\sa40\sl360\slmult1\widctlpar\jclisttab\tx1428{\*\pn \pnlvlbody\ilvl0\ls11\pnrnot0
\pnlcltr\pnstart1\pnindent360\pnsp120\pnhang{\pntxta .}}\faauto\ls11\adjustright\rin0\lin1428\itap0 {\fs20\lang2057\noproof0\langnp2057 The style landscape: idealising, historical, heroic. Staffage (figures) with mythical or historical persons.
\par {\pntext\pard\plain\s27 \fs20\lang2057\langfe1044\langnp2057 \hich\af0\dbch\af0\loch\f0 b.\tab}}\pard \s27\ql \fi-360\li1428\ri0\sb40\sa40\sl360\slmult1\widctlpar\jclisttab\tx1428{\*\pn \pnlvlbody\ilvl0\ls11\pnrnot0
\pnlcltr\pnstart1\pnindent360\pnsp120\pnhang{\pntxta .}}\faauto\ls11\adjustright\rin0\lin1428\itap0 {\fs20\lang2057\noproof0\langnp2057 The emotional landscape: lyrical, common and familiar, the characteristic.
\par {\pntext\pard\plain\s27 \fs20\lang2057\langfe1044\langnp2057 \hich\af0\dbch\af0\loch\f0 D.\tab}}\pard \s27\ql \fi-360\li1068\ri0\sb40\sa40\sl360\slmult1\widctlpar\jclisttab\tx1068{\*\pn \pnlvlbody\ilvl0\ls12\pnrnot0
\pnucltr\pnstart1\pnindent360\pnsp120\pnhang{\pntxta .}}\faauto\ls12\adjustright\rin0\lin1068\itap0 {\fs20\lang2057\noproof0\langnp2057 Marine pictures
\par {\pntext\pard\plain\s27 \fs20\lang2057\langfe1044\langnp2057 \hich\af0\dbch\af0\loch\f0 E.\tab}}\pard \s27\ql \fi-360\li1068\ri0\sb40\sa40\sl360\slmult1\widctlpar\jclisttab\tx1068{\*\pn \pnlvlbody\ilvl0\ls12\pnrnot0
\pnucltr\pnstart1\pnindent360\pnsp120\pnhang{\pntxta .}}\faauto\ls12\adjustright\rin0\lin1068\itap0 {\fs20\lang2057\noproof0\langnp2057 Veduta \endash  an accurate depiction of a particular place.
\par {\pntext\pard\plain\s27 \fs20\lang2057\langfe1044\langnp2057 \hich\af0\dbch\af0\loch\f0 F.\tab}}\pard \s27\ql \fi-360\li1068\ri0\sb40\sa40\sl360\slmult1\widctlpar\jclisttab\tx1068{\*\pn \pnlvlbody\ilvl0\ls12\pnrnot0
\pnucltr\pnstart1\pnindent360\pnsp120\pnhang{\pntxta .}}\faauto\ls12\adjustright\rin0\lin1068\itap0 {\fs20\lang2057\noproof0\langnp2057 Architecture picture (a cultural product treated as nature) \endash  exterior and interior.
\par }}