IBS 4205 Spring 2012
Architecture and drama
Booklist - Compendium
1. Asendorf, Christian 1993. “The Interieur, or Things in the Everyday Life of the Bourgeoisie”, in The Batteries of Life : on the history of things and their perception in modernity. Berkeley. University of California Press. Pp. 119-139
2. Eriksen, Roy 2001. “Epilogue: Architecture and the Arts”, in Building in the text. Alberti to Shakespeare and Milton. Penn. Pennsylvania State University Press. Pp. 147-151
3. Frykman Jonas and L?fgren, Orvar 1987. “The Home”, in Culture Builders: a historical anthropology of middle-class life. New Brunswick and London. Rutgers University Press. Pp. 125-153
4. Johansen, J?rgen Dines 2002. ”Mimetic and diegetic space in Ibsen’s later plays”, in Ibsen and the Arts: Painting – Sculpture – Architecture (ed. Astrid S?ther). Oslo. Unipub forlag. Pp. 133-149
5. Kott, Jan 1984. “Ibsen Read Anew”, in The Theatre of Essence and Other Essays. Evanston. Northwestern University Press. Pp. 31-60
6. Madsen, Peter 2002. ”The destruction of Rome”, in Ibsen and the Arts: Painting – Sculpture – Architecture (ed. Astrid S?ther). Oslo. Unipub forlag. Pp. 133-149
7. Miller, Daniel 2001. “Behind Closed Doors”, in Home Possessions. Material Culture behind Closed Doors (ed. Daniel Miller). Oxford. Berg. Pp. 1-19
8. Norberg-Schultz, Christian 1980. Genius Loci. Towards a Phenomenology of Architecture. New York. Rizzoli International Publications Inc.. Pp. 6-23
9. Paul, Fritz 1997. “Metaphysical Landscapes in Ibsen’s Late Plays”, in Contemporary approaches to Ibsen (ed. Vigdis Ystad and Bj?rn Hemmer). Oslo. Pp. 17-33 10. Rokem, Freddie 2004. ”Scenography and the Camera: Miss Julie, A Dream Play, and The Ghost Sonata”, in Strindberg’s Secret Codes. Norwich. Norvik Press. Pp. 11-38
11. Sandberg, Mark, “Panoptikon, Metropolis, and the Urban Uncanny”, in Living pictures, missing persons : mannequins, museums, and modernity. Princeton & Oxford. Princeton University press. Pp. 117-144
12. S?ther, Astrid, 1998. “The Significance of ‘Place’ in the Age of Decadence. A Reading of three Plays by Henrik Ibsen”, in “Ibsen im europ?ischen Spannungsfeld zwischen Naturalismus und Symbolismus (ed. Maria Deppermann u.a.), Frankfurt a.M. . Peter Lang. Pp. 147-159
13. Vidler, Anthony 1992. ”Unhomely Houses”, “Buried Alive”, “Losing Face”, in The Architectural Uncanny. London. Pp. 17-55, 85-99
Henrik Ibsen’s The Complete Major Prose Plays (Translated and Introduced by Rolf Fjelde) New York 1978 (1965) Penguion Books (PLUME)
Further suggestions for reading
Bachelard, Gaston 1994. The Poetics of Space
Baudrillard, Jean and Nouvel, Jean 2002. The Singular Objects of Architecture. Minn. University of Minnesota Press
Detering, Heinrich 1989. “Allegorisierung und Modernit?t in Ibsen’s N?r vi d?de v?gner”, in Skandinavistik 19. Pp. 1-19
Durkheim, Emile et al. 1960. Essays on Sociology & Philosophy. Ohio, Ohio State University Press. Eriksen, Roy, Contexts of Baroque Representation: Theatre, Metamorphosis, and Design. Oslo 1997
Freedman, Barbara 1991. Staging the Gaze: postmodernism, psychoanalysis, and Shakespearean comedy. Ithaca, N.Y.
Freud, Sigmund 2003. “The Uncanny”, in The Uncanny. New York. Penguin Books. Pp. 121-162
Genette, Gerhard 1992. The Architext. An Introduction. Berkeley - Los Angeles - Oxford. University of California Press
Gregory, Derek and Urry, John 1985. Social Relations and Spatial Structures. London. MacMillan Publishers LTD
Habermas, Jürgen 1989. The Structural Transformation of the Public Sphere. Cambridge. Polity Press. Pp. 1-51
Hall, Jacquelyn Dowd 1987. ”Second Thoughts: On Writing a Feminist Biography”, in Feminist Studies, Vol. 13, No. 1. Pp. 19-37 (http://www.jstor.org/stable/3177833?seq=1)
Lowe, Donald M. 1983. “The Family and Private Space”, in The History of Bourgeois Perception. Chicago. Pp. 70-74 L?fgren, Orvar 1987. ”Deconstructing Sweedishness: culture and class in modern Sweden”, in Anthropolgy at Home (ed. Anthony Jackson). London- N.Y. Tavistock Publ. Pp. 74-93
Northam, John 1973. Ibsen. A Critical Study. Cambridge Poe, Edgar Allan Poe 1996. The Fall of the House of Usher. Burtonsville, Md.
Rewald, Sabine 2011. “Reflections on the Open Window”, in Rooms with a View: The Open Window in the 19th Century. N.Y. & Yale. Yale University Press. Pp. 3-20
Rokem, Freddie 1986. “Ibsen: The Focus in the Past”, in Theatrical Space in Ibsen, Chekhov and Strindberg: Public Forms of Privacy. Ann Arbor. UMI Research Press.Pp. 13-28
Simmel, Georg 1965. “The Aesthetic Significance of the Face” [1901]; “The Metropolis and Mental Life”, in Essays on Sociology, Philosophy & Aesthetics (ed. Kurt H Wolf) N. Y.. Harper & Row
Spacks, Patricia 1975. The Female Imagination. N.Y. . Alfred A. Knopf
S?ter, Oddrun 2011. ”The Body and the Eye: Perspectives, Technologies, and Practices of urbanism” in Space and Culture. Oslo
Vidler, Anthony 1992. The Architectural Uncanny. London, Cambridge (Mass.). MIT Press
Wigley, Mark 1993. The Architecture of Deconstruction, Cambridge (Mass.). MIT Press
Yi-Fu, Tuan 2004. Place, Art, and Self. Santa Fe & Staunton, University of Virginia Press
Young, Iris 2000. “House and Home: Feminist Variations on a Theme”, in Resistance, Flight, Creation (ed. Dorothea Olkowski). Sted?