Bodies in Concert

Duration:
02.01.2022–31.12.2027

Concerts bring audiences and musicians together in time, in place, and music. The Bodies in Concert project explores the motion and physiology of concert participants using a large range of qualitative and quantitative methods.

Researchers' off stage view of the SSO performing while being measured.

The Stavanger Symphony Orchestra during Lydo 2023. (Photo: UiO)

Contact

About the project

This project investigates when and how performers' and audience members' bodies act together during classical music concerts. Music performances bring bodies into different relationships, and we study coordination across performance roles and musical arrangements.

RITMO has teamed up with leading Scandinavian Symphony Orchestras to collect data during concerts and show some data-capturing methods and analyses live on stage. This includes performances with the Stavanger Symphony Orchestra in 2023, 2024, and 2025, the Norwegian Radio Orchestra (KORK) in 2024, and Aarhus Symphony Orchestra in 2025.

Preliminary results

These concert experiment measurements will be studied for years to come, and we will be sharing initial findings and published results as we go.

Respiration across orchestra and participating audience members during Kjempervises?tten

Methodology

We use state-of-the-art technologies to capture body activity from musicians and audience members. The video below shows some of these technologies in action.

We are interested in:

  • Body motion, which we capture using video, accelerometers, or motion capture suits.
  • Heart activity and breathing, which we capture using electrocardiography (ECG) and breathing belts.
  • Visual attention and cognitive effort, which we capture using gaze tracking and pupillometry (measurement of pupil diameter).
  • Concert experiences, which we tap into using questionnaires and interviews.?

Participants

Publications

  • D’Amario, Sara & Jensenius, Alexander Refsum (2025). Cardiac Coherence among Musicians and Audiences During Orchestra Performances. Music & Science. 8, p. 1–15. doi: 10.1177/20592043251370977.
  • Haswell-Martin, Remy; Upham, Finn; H?ffding, Simon & Nielsen, Nanette (2025). Embodied, Exploratory Listening in the Concert Hall. Behavioral Sciences. 15(5). doi: 10.3390/bs15050710.
  • Upham, Finn & Burnim, Kayla (2025). ACCELEROMETER-BASED SYNCHRONISATION PROTOCOL FOR MUSIC-ALIGNED MEASUREMENTS OF DISTRIBUTED DATALOGGING WEARABLES. In Frank, Matthias & Vallejo, Sofia (Ed.), Proceedings of the Sound and Music Computing Conference 2025. SMC Network. ISSN 9783200106420. p. 415–420. doi: 10.5281/ZENODO.15838480
  • Arnim, Hugh Alexander von; Christodoulou, Anna-Maria; Burnim, Kayla; Upham, Finn; Kelkar, Tejaswinee & Jensenius, Alexander Refsum (2025). LightHearted—A Framework for Mapping ECG Signals to Light Parameters in Performing Arts. Full Text

More related instances of research dissemination reported on the NVA project listing.

Collaborators

Stavanger Symphony Orchestra (sso.no)? developed the LYDO concert series (2023, 2024) in collaboration with Equinor's talent development programme,?Morgendagens Helter. The aim is to stimulate interest in the sciences through music and is targeted at children in grades 5-10.?

The SSO also presented the 2025 New Year Concert Series, where an array of video recording methodes were tested for capturing performers and the audience.?

The 2024 Musiclab: Abels KORK concert experiment was a collaboration with Kringkastingsorkestret (KORK) and Abels t?rn and the UiO Libraries. ?

The 2025 Feel the Music concert was a collaboration with the Aarhus Symphony Orchestra.

Data protection

If you wish to exercise your rights as a participant in a related concert experiment, please contact the University of Oslo Data Protection Officer.

Norwegian version of this page
Published Jan. 24, 2025 10:08 AM - Last modified Jan. 29, 2026 5:04 PM