Emil Bernhardt

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Academic interests

I work with classical musicology and history. The main emphasis is on the 19th century, but I am also interested in current tendencies at the contemporary music scene. I am particularly interested in aesthetic issues in a philosophical perspective, partly with regard to interdisciplinary aspects, partly with regard to analysis, music criticism and performance practice. In my PhD I examined the performance practice of the Austrian conductor Nikolaus Harnoncourt, through three of his recordings. As a postdoc research fellow I work with various issues related to rhythm in works by Franz Schubert.

Background

I am a trained violinist and composer from Barratt Due Music Institute and the Norwegian Academy of Music, with a study stay in Freiburg, Germany. I have a master’s degree in philosophy from the University of Oslo, and a PhD from the Norwegian Academy of Music. Since 2012, I have worked as a freelance music critic, mainly in the weekly newspaper Morgenbladet, but also with publications in international media and radio.

 

 

 

 

 

Publications

  • Bernhardt, Emil (2024). Emphatic Articulation: ‘Klangrede’ as a performative concept in Nikolaus Harnoncourt’s orchestral interpretation. Studia Musicologica Norvegica. ISSN 0332-5024.
  • Bernhardt, Emil (2022). "... ins neumische umzusetzen": Interpretation und Dialektik bei Adorno und Harnoncourt. In Freund, Julia; Nanni, Matteo; Schermann, Jakob M. & Urbanek, Nikolaus (Ed.), Dialektik der Schrift: Zu Adornos Theorie der musikalischen Reproduktion. Brill | Fink. ISSN 978-3-7705-6680-8. p. 421–445. Full text in Research Archive
  • Bernhardt, Emil (2020). Prozessualit?t und Natur. Musikalische Beziehungen zwischen Ragnhild Berstad und Giacinto Scelsi. In Gottstein, Bj?rn & Kunkel, Michael (Ed.), Scelsi Revisited backstage. PFAU-Verlag. ISSN 978-3-89727-552-2. p. 119–134.
  • Bernhardt, Emil (2020). Tilbake til det neumiske: Fortolkning og dialektikk hos Adorno og Harnoncourt. In Vark?y, ?ivind & Holm, Henrik (Ed.), Musikkfilosofiske tekster. Tanker om musikk – og spr?k, tolkning, erfaring, tid, klang, stillhet m.m. . Cappelen Damm Akademisk. ISSN 9788202696818. p. 215–242. doi: 10.23865/noasp.115.ch12.
  • Bernhardt, Emil (2019). Reflective Performativity in the Interpretations of Nikolaus Harnoncourt. Music and Practice. ISSN 1893-9562. 5.
  • Bernhardt, Emil (2017). Fremmedhet og funksjon: Om Walter Benjamins oversettelsesbegrep. Agora. ISSN 0800-7136. p. 207–228.

View all works in Cristin

  • Bernhardt, Emil (2024). The Beauty and/of the Beat: Expressive Regularity in Schubert.
  • Bernhardt, Emil (2023). Hva er musikk?
  • Nielsen, Nanette; Martin, Remy Richard & Bernhardt, Emil (2023). Entrainment, free will, and musicking: an enactivist perspective.
  • Martin, Remy Richard & Bernhardt, Emil (2023). Entrainment, free will, and musicking: an enactivist perspective.
  • Martin, Remy Richard & Bernhardt, Emil (2023). Entrainment, free will, and musicking: an enactivist perspective.
  • Bernhardt, Emil (2023). Entrainment and Aesthetic Experience.
  • Bernhardt, Emil (2023). More than a Metaphor? Schubert and an Aesthetics of the Body.
  • Bernhardt, Emil (2022). Rhythm and Form: Tradition and Radicalism in Schubert.
  • Bernhardt, Emil (2021). Fortolkningens doble liv – om Mozart med Leif Ove Andsnes og Olga Pashchenko. Musikk & Historie. ISSN 2535-7883.
  • Bernhardt, Emil (2021). Gender Biases in the Art Music Field today? Descriptive, personal and critical Remarks.
  • Guldbrandsen, Erling Eliseus; Bernhardt, Emil; Buene, Eivind; Szilvay, Peter Sebastian & Neset, Anne Hilde (2021). Rolf Gupta: Jordens sang, en kritisk diskusjon.
  • Bernhardt, Emil (2020). Beethovens tider. Agora. ISSN 0800-7136. p. 527–538.
  • Bernhardt, Emil (2015). Fanget i ord. Prosa - tidsskrift for skribenter. ISSN 0805-276X. p. 60–62.
  • Bernhardt, Emil (2015). Verdoppelte Empfindsamkeit? Perspektiven einer Gefühls?sthetik in der Musik von Lars Petter Hagen. Positionen. Texte zur aktuellen Musik. ISSN 0941-4711. p. 13–16.
  • Bernhardt, Emil (2012). Radikal tolkning inom musik och teater: Exemplen Frank Castorfs "Meistersinger" och Anders Hultqvists "Beethovens femma". Nutida Musik. ISSN 1652-6082. p. 40–45.
  • Bernhardt, Emil (2008). Was heisst "Kunstmusik"? Kunstmusik. ISSN 1612-6173. p. 4–8.
  • Bernhardt, Emil (2021). Klangen av historie: Verk og fortolkning hos Nikolaus Harnoncourt. NMH-publikasjoner. ISSN 978-82-7853-290-4.

View all works in Cristin

Published Sep. 22, 2021 9:42 AM - Last modified Dec. 7, 2022 2:41 PM