| 2027 | 
			Hugh von Arnim | 
			Ph.D. | 
			Musicology | 
			  | 
		
		
			| 2026 | 
			Sara D'Amario | 
			Marie Sk?odowska-Curie fellow | 
			Musicology | 
			  | 
		
		
			| 2026 | 
			Anna-Maria Christodoulou | 
			Ph.D. | 
			Musicology | 
			  | 
		
		
			| 2026 | 
			Arthur Guo | 
			Ph.D. | 
			Musicology | 
			AMBIENT | 
		
		
			| 2025 | 
			Bilge Serdar | 
			Postdoc | 
			Musicology | 
			AMBIENT | 
		
		
			| 2025 | 
			Maham Riaz | 
			Ph.D. | 
			Musicology | 
			AMBIENT | 
		
		
			| 2026 | 
			Bálint Laczko | 
			Ph.D. | 
			Musicology | 
			AUTORHYTHM | 
		
		
			| 2024 | 
			Finn Upham | 
			Postdoc | 
			Musicology | 
			Bodies in Concert | 
		
		
			| 2024 | 
			Henrik Haraldsen Sveen | 
			M.A. | 
			Music, Communication & Technology | 
			Cyclic Patterns and Spatial Orientations in Artificial Impulsive ASMR Sounds | 
		
		
			|   | 
			Gaute Dahl Warden?r | 
			M.A. | 
			Music, Communication & Technology | 
			  | 
		
		
			|   | 
			Ahmet Emin Memi? | 
			M.A. | 
			Music, Communication & Technology | 
			  | 
		
		
			| 2024 | 
			Fadi Al-Ghawanmeh | 
			Ph.D. | 
			Musicology | 
			Computer-generated maqam music | 
		
		
			| 2023 | 
			Kristin Norderval | 
			Artistic fellowship | 
			Opera, Oslo National Academy of the Arts | 
			Electrifying Opera: Amplifying agency for opera singers improvising with interactive audio technology | 
		
		
			| 2023 | 
			Mojtaba Karbassi | 
			Ph.D. | 
			Informatics | 
			ZRob: Embodied Exploration of Rhythmic Patterns and Emergent Behaviour in Robotic Drumming | 
		
		
			| 2023 | 
			Kristian Wentzel | 
			M.A. | 
			Music, Communication & Technology | 
			Exploring multi-touch instruments with MPE and MIDI 2.0 | 
		
		
			| 2023 | 
			Henrik Herrebr?den | 
			Ph.D. | 
			Psychology | 
			Attention And Effort In Elite Athletes: A Case Against Automaticity | 
		
		
			| 2023 | 
			Dongho Kwak | 
			Ph.D. | 
			Musicology | 
			Music for cells? Rhythmic mechanical stimulations of cell cultures | 
		
		
			| 2023 | 
			Dana Swarbrick | 
			Ph.D. | 
			Musicology | 
			Being in Concert: Audience Emotion, Motion, and Social Connectedness | 
		
		
			| 2022 | 
			Laura Bishop | 
			Postdoc | 
			Music psychology | 
			Bodies in Concert | 
		
		
			| 2022 | 
			Rayam Soeiro | 
			M.A. | 
			Music, Communication & Technology | 
			
			 Visualizing psychophysiological responses to music stimuli 
			 | 
		
		
			| 2022 | 
			Joni W. Mok | 
			M.A. | 
			Music, Communication & Technology | 
			Crossmodal correspondence:  different modes, common codes? Investigating music engagement with an ecological cognitive approach  | 
		
		
			| 2022 | 
			Karoline Ruderaas Albrigtsen | 
			M.A. | 
			Musicology | 
			Learning to Un-sing: A study of free improvisation vocalists’ ideas, strategies, and techniques | 
		
		
			| 2021 | 
			Mari Lesteberg | 
			M.A. | 
			Music, Communication & Technology | 
			Micro and Macro: 
			Developing New Accessible Musicking 
			Technologies | 
		
		
			| 2021 | 
			Qichao Lan | 
			Ph.D. | 
			Musicology | 
			Exploring Collaboration in Computer Music Systems for Live Coding | 
		
		
			| 2021 | 
			Cagri Erdem | 
			Ph.D. | 
			Musicology | 
			Controlling or Being Controlled? Exploring Embodiment, Agency and Artificial Intelligence in Interactive Music Performance | 
		
		
			| 2020 | 
			Ashane Silva | 
			M.A. | 
			Music, Communication & Technology | 
			Sonification of Standstill Recordings | 
		
		
			| 2020 | 
			Agata ?elechowska | 
			Ph.D. | 
			Musicology | 
			Irresistible Movement: The Role of Musical Sound, Individual Differences and Listening Context in Movement Responses to Music | 
		
		
			| 2020 | 
			Victor Evaristo Gonzalez Sanchez | 
			Postdoc | 
			Musicology | 
			Music-related micromotion | 
		
		
			| 2019 | 
			Tejaswinee Kelkar | 
			Ph.D. | 
			Musicology | 
			Computational Analysis of Melodic Contour and Body Movement | 
		
		
			| 2019 | 
			Gaute Barlindhaug | 
			Ph.D. | 
			Music, UiT | 
			The Kids Want Noise - How Sonic Mediations Change the Aesthetics of Music | 
		
		
			| 2019 | 
			Ximena Alarcón Diaz | 
			Marie Sk?odowska-Curie fellow | 
			Musicology | 
			INTIMAL: Interfaces for Relational Listening – Body, Memory, Migration, Telematics | 
		
		
			| 2019 | 
			Marcus Widmer | 
			M.Sc. | 
			Physics | 
			Machine Learning and Sonification Applied to Fish in Wideband Hydroacoustic Data: Exploring Two Approaches to Classification of Underwater Targets | 
		
		
			| 2018 | 
			Mads Bye | 
			M.A. | 
			Musicology | 
			MIDI Polyphonic Expression: A Bridge Between Acoustic and Electronic Instrument Experience? | 
		
		
			| 2018 | 
			Line-Mathilde Espeset | 
			M.A. | 
			Musicology | 
			Expressive Intention and Perception of Body Language in Popular Music Performance: Interpretation of the visual communication between the vocal performer and the audience | 
		
		
			| 2018 | 
			Anders Tveit | 
			M.A. | 
			Musicology | 
			On using the laptop in improvisation.-Constrained interfaces, engaging instruments | 
		
		
			| 2016 | 
			J?rgen Skjulstad | 
			M.A. | 
			Aesthetics | 
			Circuit bending as an aesthetic phenomenon | 
		
		
			| 2016 | 
			Bo Zhou | 
			M.Sc. | 
			Informatics | 
			Video analysis of music-related body motion in Matlab | 
		
		
			| 2016 | 
			Mari Romarheim Haugen | 
			Ph.D. | 
			Musicology | 
			Music-Dance. Investigating Rhythm Structures in Brazilian Samba and Norwegian Telespringar Performance | 
		
		
			| 2016 | 
			Diana Kayser | 
			M.A. | 
			Musicology | 
			Do We Feel What We Perceive and Perceive What We Feel? A Review of Methods in the Study of Emotions in Music | 
		
		
			| 2016 | 
			Frank Tj?rhom | 
			M.A. | 
			Musicology | 
			Hvordan underviser man musikalsk improvisasjon p? videreg?ende- og bachelorniv?? – En intervjuunders?kelse av tre hovedinstrumentl?reres undervisningsmetoder sett i lys av forskning innen musikalsk improvisasjon | 
		
		
			| 2016 | 
			H?kon Bachken Eikeland | 
			M.A. | 
			Musicology | 
			Syntetisk musikk: En turingtest av maskinell stilsyntese | 
		
		
			| 2016 | 
			Mats Bergstr?m | 
			M.A. | 
			Musicology | 
			Algoritmisk akkordsegmentering En metode for akkordsegmentering av Bachs firstemmige koraler | 
		
		
			| 2014 | 
			St?le Skogstad | 
			Ph.D. | 
			Informatics | 
			Methods and Technologies for Using Body Motion for Real-Time Musical Interaction | 
		
		
			| 2013 | 
			Kristian Nymoen | 
			Ph.D. | 
			Informatics | 
			Methods and Technologies for Analysing Links Between Musical Sound and Body Motion | 
		
		
			| 2012 | 
			Even Bekkedal | 
			M.A. | 
			Musicology | 
			Music Kinection: Musical Sound and Motion in Interactive Systems | 
		
		
			| 2012 | 
			Catherine I. St?ver | 
			M.A. | 
			Musicology | 
			Freestyle equipage: an equipage riding to music | 
		
		
			| 2011 | 
			?yvind Hauback | 
			M.Sc. | 
			Informatics | 
			Teknologi for sensordata: innsamling til mediespiller | 
		
		
			| 2010 | 
			Bj?rnar Hegge | 
			M.A. | 
			Musicology | 
			Mellomsanselig groove | 
		
		
			| 2011 | 
			Roger Stein Grading | 
			M.Sc. | 
			Informatics | 
			Analyzing Sensor Data for Active Music | 
		
		
			| 2010 | 
			Notto Thelle | 
			M.A. | 
			Musicology | 
			Making Sensors Make Sense: Challenges in the Development of Digital Musical Instruments | 
		
		
			| 2009 | 
			Eirik Renton | 
			M.Sc. | 
			Informatics | 
			Collecting Sensor Data for Active Music | 
		
		
			| 2009 | 
			Bj?rnar Hjelmevold | 
			M.Sc. | 
			Informatics | 
			Semiotiske systemlyder | 
		
		
			| 2008 | 
			Rune Fagereng | 
			M.A. | 
			Musicology | 
			Levende elektronikk: En studie av Eivind Aarsets bruk av gitar og elektronikk i konsertsammenheng | 
		
		
			| 2007 | 
			Arve Voldsund | 
			M.A. | 
			Musicology | 
			Brukergrensesnitt for sanntidsdbehandling av lyd: Mapping av sensordata til DSP-funksjoner | 
		
		
			| 2005 | 
			Trond Christian Fr?haug | 
			M.Sc. | 
			Media technology, Gj?vik University College | 
			Publikumsinteraktivitet i konserter |