Entrainment Workshop

RITMO hosted researchers for an interdisciplinary workshop on the concept of entrainment, featuring perspectives from musicology, ethnomusicology, cognitive neuroscience, music cognition, and computational modeling.

Group photo of the participants in Forsamlingssalen
Table of Contents
 

Talks

Presentations have been uploaded to a playlist on YouTube: 

 

To ensure longterm preservation, videos have also been uploaded more permanently to OSF: OSF | Presentations

You can also find the videos of the talks in the menu to the left on this page.

Presentations & Sessions

The workshop was hybrid (in-person and remote attendance) and occurred in two parallel streams: one predominantly in-person, another remote. The presentations were medium-length talks (12-min presentation followed by 5-min questions). The sessions were 50-minutes and in varied styles, ranging from theoretically oriented discussions to hands-on tutorials focused on methods and demonstrations. The program is below.

Recorded presentations from remote presenters were sent to the organizer email in a format where they could be downloaded (e.g., WeTransfer, google drive, onedrive) by August 14th.

Remote presentations were streamed by the RITMO hosts in a Zoom meeting and presenters will had a 5-min question and answer period live over Zoom. Remote attendees could also watch the in-person stream on the YouTube livestream (see videos above). All registered participants received links to the Zoom meetings that hosted the remote presentations during the week of the workshop. These remote presentations were also attendable on-site in the RITMO meeting room. Remote attendees socialized in Zoom breakout rooms during the breaks. There were 5 breakout rooms: general socializing, one for each presentation for attendees who want to continue discussing a particular talk, and one for testing technology for the next presentations. Participants were encouraged to update their names with their pronouns, use one of the Zoom video backgrounds, and enhance their audio quality with a nice microphone or a headset with a microphone.

With the consent of presenters, all presentations are available for viewing publicly on the RITMO YouTube page in a playlist devoted to this workshop.

In-person presenters presented from a USB flash drive on our podium's desktop computer or their own personal laptops via an HDMI cable (we have adapters for USB-C, Mac, etc.). Presentations, audio, and video were tested 15 minutes before scheduled timeslots. For example, even if you are the third presenter 13:00-14:00, presenters still came to the stage to find a RITMO representative at 12:45. 

Program

Thursday August 17th

  Parallel stream 1 Parallel stream 2
Location Forsamlingssalen / YouTube RITMO Meeting Room v217 / Zoom

8:30-9:00

Registration and coffee at RITMO

 

9:00-10:00

Modeling Rhythm Perception and Temporal Adaptation by Ece Kaya & Molly J. Henry

Sonic Explorations for 3D Swarmalators by Pedro Lucas & Kyrre Glette

A Control Systems Perspective on Entrainment Remote Presentation by Roger K. Moore

Simultaneous Tracking of Two Isochronous Beat Patterns by Dr. Patti Nijhuis & Dr. Maria Witek

Exploring Rhythmic/Musical Entrainment in People with Alzheimer’s Disease (AD) by Runa Ya

Music-Based Training for Children With Dyslexia: Preliminary Results of a Randomized Control Trial by Maria Ioanna Zavogianni, Maja Keli? & Ferenc Honbolygó

10:00-10:15

BREAK

10:15-11:15

Auditory Steady-State Responses With Stereoelectroencephalography: Distribution and Relation to Seizure Onset Zone by Vinícius Rezende Carvalho, Márcio Flávio Dutra Moraes, Sydney S. Cash, & Eduardo Mazoni Andrade Mar?al Mendes

Periodic vs Aperiodic Temporal Predictions – Shared or Separate Underlying Mechanisms? by Sandra Solli, Sabine Leske, Anne Danielsen, Anne-Kristin Solbakk & Tor Endestad

Predicting the Beat Bin – Beta Oscillations Support Top-Down Prediction of The Temporal Precision of a Beat by Sabine Leske, Tor Endestad, Vegard Volehaugen, Maja Foldal, Alejandro Blenkmann, Anne-Kristin Solbakk & Anne Danielsen

Movement Entrainment in a Live Concert – Investigating Relationships Between Movement Entrainment, Social Experience and Prosocial Behaviour in Three Different Concert Scenarios by Maren Hochgesand & Hauke Egermann

Synthetic vs. Live Music: Examining the Impact on Social Bonding in Modern Music Production by Neta B. Maimon, Roni Granot, Jan Alexander Stupacher & Jonna Vuoskoski

Interpersonal Entrainment: The Morphogenic Role of Emotions by Andrii Smykovskyi, Janaqi Stefan, Bieńkiewicz Marta & Bardy Beno?t

11:15-11:30

BREAK

11:30-12:30

Bodies in Concert by Laura Bishop and Finn Upham

Moving in Time: The Effects of Interpersonal Entrainment on Ingroup-Outgroup Bonding and Social Identity by Ellen Herschel, Jonas Kaplan & Assal Habibi

Music, Entrainment, and Social Interaction by Lawrence M. Zbikowski

Effects of Sensorimotor Synchronization on Temporal Discrimination in Different Pitch Contexts by Lola-Marie Ferly & Emily Graber

Unravelling the Relationship Between Empathy, Synchrony and Social Bonding in Children’s Dyadic Musical Interactions by Persefoni Tzanaki

Spontaneous Intrapersonal Synchrony and the Effect of Cognitive Load by Ramkumar Jagadeesan & Jessica Grahn

12:30-13:30

Lunch

13:30-14:20

 

 

Special session: 
Forsamlingssalen / YouTube

BioPoint: Unlocking Comprehensive Physiological Data Analysis t