Recording
The video below is a Zoom recording of the live keynote presentation. The captions are auto-generated and can be turned off in the bottom right control panel.
Abstract
This keynote pays tribute to the work of Henry Shaffer (1929-2020), who attended RPPW1 in Cambridge in 1984 (and was characteristically dismissive of it!), and whose work made pioneering contributions to the detailed study of timing in musical performance. These included a commitment to complex rhythmic behaviours, the study of those behaviours in realistic circumstances, the development of a unique technology to make that research possible, and rigorous but unconventional methods. I reflect on some of those contributions and the impact that they have had on the field, and consider some of the ways in which research has moved on or away from the approach that Henry’s research represented. In particular I pick up on what Henry always called rubato but which is now more commonly called microtiming and consider again the relationship between continuously variable and categorical values; motor programming and its alternatives; and finally some recent work on timing and togetherness in large ensemble performance, and arguments for the historicity of the concept of ‘togetherness’.
Biography
Eric Clarke is Heather Professor of Music at the University of Oxford, and a Professorial Fellow of Wadham College. He has published on a variety of topics in the psychology of music with a focus on performance, ecological approaches to music perception, musical meaning, music and consciousness, musical creativity, and the analysis of pop music. Recent projects include work on music, empathy and cultural understand