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Feb. 1, 2024How do musicians and producers combine temporal and sonic parameters (intensity, duration and so on) when conveying microrhythmic feels (laid-back, on-the-beat, pushed)? This was one of the core questions of the TIME project on musical microrhythm.
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Feb. 1, 2024PhD fellow Gui Schmidt C?mara recorded audio and motion from 60 professional drummers, bassist and el-guitarists and instructed them to lay back or push their playing. He found that the drummers mainly varied their onset timing to produce the different microrhythmic feels. In contrast, the bassists and el-guitarists systematically combined onset timing with brightness, duration, and other acoustic features.
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Feb. 1, 2024In addition to general tendencies regarding how musicians and producers shaped microrhythmic feels in different genres, we were also interested in the individual strategies that they employed. Postdoc George Sioros did a cluster analysis of the drummers' performances and visualized the different strategies as phylogenetic trees.
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Feb. 1, 2024Postdoctoral fellow Mari Romarheim Haugen inspects the MoCap suits used when recording samba pandeiro playing and dancing. She found that the characteristic samba swing was present across low, medium and fast tempi.
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Feb. 1, 2024The project had an interdisciplinary and cross-cultural research design. Project leader and RITMO Director Anne Danielsen was responsible for overseeing all parts of the project, which included a broad scope of methodological approaches, from ethnographic and observational studies to more purely experimental investigations.
